Good morrow, fair citizens. Perchance you tuned in here for the latest in our round-up of HIGHLY IMPORTANT CLUES AND REFERENCES in this week’s Doctor Who? You did? Well, that’s marvellous. Pull up a chair and let me tell you about all the stuff you missed in the second part of ‘Spyfall’. Today we’ll be dealing with hidden signs, fake numbers and the return of an old companion. Anyone bring biscuits?
We’re off to Jodrell Bank first. You’ll recall that, in war torn Paris, the Doctor alluded to a previous encounter she’d had with the Master, which ended in a large fall from a radio telescope and a regeneration. Never mind the fact that ‘Logopolis’ wasn’t actually filmed at Jodrell Bank, or even set there – that’s either Chibnall demonstrating ineptitude or carelessness or deliberately trolling the fanbase, depending on whom you ask. The implication is obvious: it’s supposed to be about the Fourth Doctor’s tumble from the tower, and one of the most moving handovers ever committed to film. It doesn’t take an idiot to figure that out, even if you can quibble about whether the idiot himself is the current chief writer.
So the Master asks if he’s ever apologised for it, and the Doctor says no he hasn’t, and the Master simply replies “Good”. And this seemingly innocuous exchange means nothing at all, until you figure out that it’s actually foreshadowed EARLIER IN THIS EPISODE. And if you doubt me, look at the numbers on Charles Babbage’s Difference Engine.
Note two things: first, the presence of the large black rod that marks the place where the number 5 is supposed to be; second, the number of teeth (12) that sit across the bottom part of that cog, which refers specifically to the number of times the Doctor regenerated before reaching the end of his first cycle. The significance of the numbers of the right I will leave for you to fathom. Be warned that the discovery is not a pleasant one.
From 1830s London we’re shifting gears to contemporary Essex – well, it’s not Essex, but I’ll explain why in a moment. Here’s Bradley, Tosin and Mandip, examining maps in the middle of a bustling town.
I did Google it, without success, but the Facebook Hive Mind has confirmed that this was shot in Barry, specifically at King Square – location map as follows:
There are several things to note, not least of which is the large human figure sitting on top of a gym ball (see below). But it’s the geography of the neighbouring streets that I want you to examine, because believe it or not it’s all tied up with none other than Martha Jones. A quick Street View perusal of the area reveals the following, within close proximity:
Hmm. Cats? In a story with drugs? On a street that’s been designated one way for more than half its length (southwestbound) in order to alleviate GRIDLOCK? You see where I’m going with this, don’t you? But why Martha specifically? Well, that’s tied up partly with street names – one of the roads leading off King Square is the B4294, which relates DEFINITIVELY AND UNAMBIGUOUSLY to ’42’, which also starred Martha. But I also want you to think back to ‘The Infinite Quest’, in which the Doctor and Martha embarked on a series of adventures to recover various items of jewellery From this we can conclude that Martha will return in a story featuring the Black Guardian, who seeks
a magic ring that will allow him to wield ultimate power unless it is melted in the fires of Mount Doom a trinket of some sort.
Oh, I promised you that gym ball, didn’t I? Here it is.
Next, a phone number.
For those of you who have yet to look this up, let me save you the trouble: 01632 pertains to a fictional area code that is, for the present, the exclusive domain of TV and film. In other words, it’s when they want to show a phone number but they don’t want everyone freeze-framing the TV and trying to call the Ghostbusters Firehouse, or Torchwood Three, or God. Try it. You’ll get nowhere.
But it’s the number that follows – ascribed to that payphone in the middle of ‘Essex’ – that is curious. Because 960470 actually refers to something very specific. It’s not a pantone reference. It’s not a Nissan part number. It’s not an Amazon product code. Well, actually it’s all three, and then some, but that’s not why we’re here. It actually refers to a photo uploaded to Geograph, taken by a chap named Tony Aitken, on the Camel Trail near Nanstallon in Cornwall. Not far from Bodmin, home to a substantial Masonic Hall, several nice churches and an enormous mythological cat. And if you’ve ever wondered why Doctor Who hasn’t done Bodmin Moor yet, now you know. It’s coming next year. We called it.
Finally, we’re back at the start of the episode, during the scene where Ryan’s crawling across the burning plane to find…this.
You didn’t need me to tell you, but this is all connected with anagrams. ‘SEAT POCKET’ can be rearranged to form the words ‘CASKET POET’, clearly alluding to a story in which the Doctor encounters a deceased writer. That’s about half the poets on the block, and then some. It’s a good start, but where do we go from there? Which poet is he talking about? Shelley? Keats? Byron? Shakespeare?
Oh look, there she is again. You’ve had your turn, Martha, now sit down.
No, actually, stand up. Because the truth – stranger than fiction – is linked to the words ‘Dead Poets Society’, the 1989 coming-of-age drama starring Robin Williams as the unorthodox Mr Keating. In other words, this doesn’t just refer to one poet: it’s a whole bunch of them. But it’s the initials I want you to examine, because DPS is not only the abbreviated form of Peter Weir’s Oscar Nominated Magnum Opus – it also stands for Descent Propulsion System, a rocket engine used in the Apollo moon landings. An event which was witnessed by Martha. In a story that’s just featured in a crossover comic starring the Thirteenth Doctor. You’re welcome.