There are different types of YouTube comments. Some heap undeserved praise to the point of sycophancy. People will tell you that a mediocre product is the best thing they’ve ever seen on the internet; it is crucial above all else to ensure that you do not start to believe your own hype, because therein lies artistic complacency and the excessive inflation of ego. At the other end of the scale are the downright abusive. I used to be polite; these days I’m inclined to argue back, albeit without letting them see that they’ve got to me. I’m not suggesting you should ever feed the troll, but sometimes you can poke it with a stick.
Somewhere in the middle there is a sweet spot; a small compartment of users who offer something that actually might be considered constructive feedback – the people who say “I liked this, but have you tried…?”. For instance, there was the chap who told me my Kraftwerk montage was a little too long. He was quite right, and were I to redo it now I’d go for a shorter edit. There were the numerous people who pointed out the mistakes in the Red Dwarf mashup – a hard lesson learned about when less is more – to the extent that I gave it a substantial overhaul in the tail end of last year and made something I actually almost liked.
Then there’s the silent movie I did three and a half years ago. Generally people seemed to like it, but a comment I got a few months back got me thinking. “Speed it up just a little more and put it slightly out of focus,” said a user named cemeterymaiden1. “It will look authentic I think! :D”
And that’s great. I can work with that. It did need to be faster, and it did need a little blurring round the edges. That’s the sort of comment I love receiving, because it is constructive without being disrespectful. It makes a welcome change from this –
I’ve decided, after careful reflection, that most Doctor Who fans are fucking idiots.
In any event: when I decided to retouch a few old projects that never quite lived up to their potential, this one seemed like a prime candidate. Most of the changes are cosmetic – loose frames tucked, timings adjusted. Then I ran it through a gaussian blur and tinted it with sepia, rather than the black and white I originally used. I’m still not sure how authentic this makes it as a result – my knowledge of silent movie production techniques isn’t as comprehensive as it ought to be – but it’s a Western, dammit. It looks cooler.
“Don’t you think,” said Gareth when I posted the original, back before ‘Day of the Doctor’, “that the joke about the Eccleston cameo is going to date rather quickly?” He was right, of course – it’s not something that bothered me at the time, given that all it did was time stamp the original, but the remaster replaces it with a gag that’ll never go out of style, even if the BBC eventually follow through on it.
The original is still up there, if you want to take a peek. But I’m happier with this one. Some things don’t need changing. But sometimes you reap the benefits when you do. Happy trails, y’all.