Ah, that got your attention, didn’t it?
Listen: if you’ve been around here for a while, you’ll know about this already, because I blogged about it back in October. But you won’t have seen this version.
I love The Trailer Mash. The quality varies – some of the submissions are wonderful, others simply aren’t very good at all – but the breadth and depth of imagination is something to behold. It’s good to have so many recut films together in one place, even if their interface could probably do with a bit of a revamp (comments interface, anyone?). Submission is simplicity itself and the one time I’ve had to submit a support query they’ve been courteous, prompt and attentive.
But mostly I love it because it’s a chance to showcase my work in a different forum where people will, at least, watch it, even if they don’t always like it. Trying to compete on YouTube is like shouting into a thermonuclear blast: there’s just so much stuff that you have to be rich or lucky (or very, very talented) to get noticed. I am none of the above. So every little helps.
This is fine except when you’ve created something – as I’ve done more than once – that works as a theatrical cut but which is utterly unsuitable. So it’s back to the editing suite. Last year I recut Darth Gene into a two-minute trailer that I think arguably improves on my original, and last night I finished a two minute trailer for the Portal 2 / Flight of the Navigator movie, purely for the sake of Trailer Mash hosting. But there’s a lesson in creativity as well, because such creations are an exercise in restraint: I am someone who will typically do more than is needed, and whose work could occasionally do with trimming, and so it’s nice to have to focus on the best of what you have. At a literary level, I suppose it’s like trying to squash a novella into short story length, or even something shorter – say, the confines of a five hundred word essay competition.
This one was tough. I don’t mean the original – I won’t go into the ins and outs of possibly the most coherent thing I’ve ever made, because that’s all in the other post – but recutting it was difficult. Most of the work had already been done and it was simply a matter of finding the best / most suitable material, but I had to chop out lines I really liked because they were slowing the pacing of the trailer. I went back and forth with ideas for backing music, but I think ‘Mr Blue Sky’ works quite well. There’s an annoying glitch at 0:31, and I HAVE NO IDEA WHY THIS IS. We’ll just have to live with it. (I take comfort in the fact that the whole of Wreck-It Ralph was essentially built around a glitch.)
The aforementioned Portal movie will never make it past the scripting stage – it would be a creative disaster, because they’d have to give a voice to Chell, which is like making Judge Dredd remove his helmet. But in the meantime it would be nice to think that Wheatley lives on somewhere, and is carting back and forth across the galaxy, impersonating cows and listening to the Beach Boys. SPAAAAAAAAACE!