‘Allo. Been a while, but nice to see you. More videos you’d be wanting, is it? Righto then, let’s see what we’ve got in stock.
1. Doomsday: Alternate Ending (March 2021)
The more a scene is revered, the more likely it is that I’ll end up mocking it. And they don’t get much more revered than the tearful, overwrought beach farewell that wrapped up series 2; watching Rose puff out her cheeks is still enough to get me giggling. Not enough with adding a laugh track a while ago, I decided – purely for the sake of producing something for the first time this year – to spice it up with another of the Doctor’s famous lines. It’s not one of my better ones, but it gets a laugh.
2. Stay Outside (April 2021)
Now, this one. This one I am proud of. You will remember, last spring, that the first lockdown saw a spate of government advice telling us all to stay in our homes and only leave when absolutely necessary, and don’t forget your physical jerks and we have always been at war with Eurasia. I dealt with some of the cabin fever by accompanying one of the radio announcements with scenes from ‘Heaven Sent’, which worked quite well.
This time around, we’re out of lockdown but we’re still supposed to be cautious – and thus here’s Dr. Hilary Jones (yes, he of This Morning) to tell us all about the things we should and shouldn’t be doing. And here’s Matt Smith, trying to social distance from a group of murderous pensioners in Ledworth. Ain’t life grand?
3. The Masked Singer: Rhino’s Got A Bad Throat (April 2021)
Rhino? Rhino, you say? Well, that’ll be a Judoon reference, then. I had the misfortune of catching a solitary episode of The Masked Singer not long before Covid first hit, and thought it a good idea, poorly executed (a couple of structural changes and you’d have yourself a far more entertaining experience, but what do I know?). Still, it’s going strong in the UK and America – Kermit the Frog, of all people, making a recent appearance when he was eliminated early on – but it was this particular chap (in reality baseball star Barry Zito) who caught my attention, to the extent that I wound up redubbing some of his performances to a throaty rendition of ‘Rapper’s Delight’. I don’t know, it seemed like a good idea at the time. Ko Ro So.
4. The Geoffrey and Bungle Videos (April – June 2021)
Lurking somewhere on Facebook there’s a series called The Same Video of The Same Guys Dancing To A Different Song. If you’ve seen it, you’ll know it (and the varying success to which it works): if you’ve not, you get the idea. Suffice it to say that they’re pushing on towards five hundred of these and whether or not an embedded song fits the two fellas strutting their stuff is dependent on two factors: how well the rhythm fits, and the impact of whatever happens at the thirty second mark when the second guy joins in. The one they did to Cher’s ‘Believe’ was particularly good.
Anyway: I’m not about to try and replicate that particular stunt, but having decided to hook up Geoffrey and Bungle with Peter Howells’ arrangement of the Doctor Who theme a couple of years back, I opted to revisit familiar territory and see how many of these I could make using different songs. It wasn’t difficult – it’s just a question of working out the tempo and Googling to see songs that fit. Some worked better than others, but the ones that didn’t work (‘Livin’ on a Prayer’; ‘Pinball Wizard’) I elected not to upload. The one you can see below enjoyed brief popularity on Twitter, for reasons I have yet to fully discern, but I also recommend you check out Stealer’s Wheel, and probably Hammer. U can’t touch this…
Normally, about this time of year, I’m prepping the memes. Here at brianofmorbius we tend to favour the inappropriate: the worst possible choice for an image, amplifying the humour. The image of Bonnie Langford in Paradise Towers when they’ve announced the opening of leisure facilities. David Tennant surrounded by the ashes of an disintegrated spacecraft. With a click, the mouse scrubs back and forth along the video timeline, looking for that perfect frame. I get a few giggles. Job done.
This year I really don’t feel like doing that. Maybe it’s Covid. Maybe it’s a heightened sensitivity built around things that are happening in my life that I am electing not to broadcast. Or maybe I’m just tired of the drama. I see a lot of opinions on the web but not a lot of kindness. Being kind is not always the same as being nice; it’s important to make the distinction. The Doctor was usually kind but he also shouted at people when they deserved it. There is a marked difference between respecting the person’s right to a view and allowing rampant negativity to flourish. ‘Be kind’ does not mean ‘keep silent when an opinion is full of horseshit’. The Doctor wouldn’t, and if we must employ him as a role model (and generally I don’t), then that’s probably the best way of going about it.
But there is a thing about Doctor Who that has come to my notice this year, and it is this: for all its failings (and they are many, and frequent and not everything is because of Chibnall) it does a good job of giving the companions a backstory. The backstories are not always good, or even plausible, but they are there. They are there in a way that they generally weren’t during the sixties and seventies, where character histories were relegated to three or four lines of dialogue: Tegan’s aversion to ice cream; Jo’s failed science GCE. This isn’t necessarily a bad thing. Most of us never had any expectation that Doctor Who should be grounded in reality; it’s a TV programme about a quasi-immortal shapeshifting alien with a magic box that travels in time and space. What do we care for the home lives of supporting characters? Give us an alien and a couple of explosions; that’ll do.
We started to care, I think, in the late 1980s, when Ace’s backstory became not just a tangible thing but a story arc. The other evening Emily and I were discussing Anne Reid, who’d popped up in a film we were watching. Emily pointed out – and I’d forgotten – that she appears in ‘The Curse of Fenric’. It is a wonderful story, perhaps the best of the McCoy era, but the overriding memory that I have of it consists of two things: the haemovores rising from the ocean, and Ace shouting at the Doctor. It was an archetype for everything that followed, just as Ace was the archetype for Rose and many subsequent companions who drew their shape from a similar gene pool. Here was a story in which family was not only acknowledged but pushed front and centre, at least for a few minutes.
And it strikes me now that family in Doctor Who is all too often dysfunctional. It has to be, because Doctor Who is about escape: the crew in Voyager were simply trying to get home; the TARDIS crew are generally trying to avoid it. The Doctor becomes a surrogate family man – a father, sister, older brother, love interest – to whomever is holed up in the bunk beds. That sort of relationship comes at a price, and the price is usually the relationship with one’s own family. It is a price worth paying in triplicate when that relationship is difficult or even non-existent.
There is a recurring trend on the Facebook groups: that single sentence. “If the TARDIS landed in your garden”, it says, “would you go?”. I never reply, simply because I would not, and it is both tedious and time-consuming to have to explain why. I wonder about the people (and they are many) who say they would jump at the chance. I wonder whether they are in denial, or haven’t thought through the possible consequences. Both are likely scenarios. And the whole thing is just a bit of fun and we must not take it seriously. But I also wonder whether there are people reading this posts whose own lives are so genuinely miserable that perhaps the TARDIS is a form of escape for them. There are people like this and I know there are people like this because I have spoken to them.
And how, I wonder, do these people react when they are presented with the dysfunctional families we see on screen? What do they make of feuding parents, of grief unspoken, of abuse and loss and pain? How do they react to companions who carry baggage like this through the TARDIS doors? How close to the knuckle do the stories cut?
And then I think about these parents and children. I think about Donna, saddled with a mother who could convey nothing but bitterness and disappointment. I think about Francine Jones, who made poor (if well-intentioned) choices and whose salvation lay in her daughter’s unconditional forgiveness. I think of Bill, whose relationship with her stepmother was toxic, and Clara, who – in addition to grieving her own mother – had to watch her father enter a relationship with a narcissistic sociopath. I even think of Ada Gillyflower, maimed and broken by her mother in a calamitous arrangement that foreshadowed what we learned about the Doctor in ‘The Timeless Children’.
I think of Amy, whose mother was quite literally ripped from existence, where even the memory of her was gone. What must that have been like? What sort of hole does it leave; how does it settle in the heart? And to then carry a pregnancy to term without having the first idea, no bonding and no reflecting and no preparing, only to have your child taken as if by an indifferent Catholic nun – and then to raise it again, unknowingly, in the most unorthodox of ways. “What you do,” says Rory, “isn’t all there is,” and how well we knew that by the end.
And I think of Sarah Jane, who found solace in motherhood without sacrificing her career, and Rose, whose mother – and I’ll admit I’ve sometimes being quite rude about her – was protective and honest and compassionate. And of the supporting players, the bit parts that resonate. Nancy, who saved the world by restructuring her relationship with her son. Willa Twist, determined to live out her mother’s legacy.
And I remember my own mother, and how complicated that relationship was, particularly in her last years. How a wave of maternal pride could be undone by a single barbed comment. The grudges she held and the prejudice she harboured. The difficulty of balancing my relationship with her against the one we have with my in-laws, avoiding blame, the endless juggling of calendars. Learning not to talk, under any circumstances, about Brexit. And how we skated around the edge of a lot of things we didn’t say and now never can.
And I loved her, but. There is always a but, and most days it doesn’t matter – most days you can archive it, remembering the good times. And there were many of those, and the constant edginess I felt in her presence became something I lived with, and I know that there are others who have had things much worse, and some of them are very close to me, and that is as much as I’m going to divulge on the subject. But if you are hurting today, and particularly if your pain is raw, then I think of you. Because everyone deserves love, even the worst of us. May you find yours, whatever form it takes.
It’s the first of August, and I haven’t posted in ages, and I’m about to head up to Staffordshire for a few days, and we really do need a meme dump. So what’s been going on in the hallowed hills of Whovania these past couple of weeks?
To honour World Chocolate Day, which happened a few weeks ago, we present this deleted scene from ‘Pyramids of Mars’.
Landing on the moon for the first time in July 1969, Neil Armstrong is disappointed to discover that the Russians have apparently beaten him to it.
“REVERSE! REVERSE! REVERSE!”
There is joy and celebration across the country as it’s announced that swimming pools are ready to re-open.
But some people really don’t take too kindly to being told to wear a mask.
“Man. Woman. Person. Camera. TV.”
Super Saturday, 2264.
Elsewhere, using a relatively new technique allgedly pioneered in Botswana, scientists have been able to determine that the enormous Sarsen stones that make up the bulk of Stonehenge actually came from a forest outside Marlborough, about twenty miles up the road. Of course, the research team has yet to determine precisely how they were moved.
Bristol, and not everyone is impressed with the replacement Edward Colston statue.
“Oh, she doesn’t mind.”
And in a secluded factory somewhere…
“Right. Everyone slowly and carefully back away in the direction of the TARDIS.”
It’s been a week of (self) righteous anger. The ‘self’ is optional; you can put it on if you like. The world we live in is one in which no sin goes unpunished, no tweet unmocked; a world in which armchair judgement has become second nature. No one is safe: it doesn’t matter if it’s angry protesters throwing statues in the river or multi-millionaire authors throwing their weight around.
It’s dull, and I’m tired of writing about it, so let’s look at this week’s news roundup. There are troublesome scenes in central London when Missy can’t remember where she parked her TARDIS.
And on a routine visit to a parallel Earth, the Doctor and Rose are unsettled when they run into a queue for the re-opening of Primark.
Meanwhile, as fury reigns over the expungement of classic episodes and series from on-demand services, a trawl through the Gallifreyan Matrix reveals that even the Time Lords have grown concerned over sensitive content.
In Surrey, Thorpe Park opens after lockdown as a flurry of punters rush to make the most of the good weather.
And an abandoned concept still from the new Bill and Ted trailer reveals that studio execs were suggesting a very different look for the phone box.
I wish I could tell you that I’d got on with that novel while we’ve been stuck at home. Or that I’d learned to sew, or reached a sense of inner peace, or at least slowed down a bit. But my life was already fairly slow and empty, and I rather liked it that way. My world now, instead, is a world of hastily improvised routines of family breakfasts and Zoom webinars and P.E. with Joe; of virtual meetings with my church housegroup; of listening, every Thursday, to the sound of no one in our street clapping for the NHS; of refusing out of principle to partake in those watchalongs because if there’s one thing DW fans know how to do it’s take a good idea and flog it to death, or at least until all the novelty has well and truly worn off. We’re fortunate, where we are, but oh dear God this road is long – and there are no winding turns, simply a series of erratic curves.
Anyway, how are the Doctors spending lockdown? Today, we catch up with just three of them. But they’re the three everyone likes, so that’s a good start.
1. Public Safety Announcement (April 2020)
You know we never stoop to cliche here at Brian of Morbius, but if we did, this would be the point at which I told you this will all be over by Christmas. That’s actually based on scientific insight, correct (at least theoretically) as we go to press, which dictates that under an idealised plan of social distancing and appropriate quarantine the virus could be squashed by 4 December. Now, you and I both know that this is unlikely, but I do at least hope we’ll be allowed out by then – and not stuck in Caerphilly Castle with Peter Capaldi, who’s been wandering its dimly-lit corridors for the better part of four billion years.
This was a lot of fun to put together, largely because it was simply a question of going through the episode and finding appropriate (yes, all right, inappropriate) clips to match up with the government advice. Sometimes that’s a long, hard slog – unless you know exactly what you’re looking for, and generally I don’t, then you have to rely on memory and association and transcript searches. But sticking with a single episode restricts you, which makes that endless scrubbing back and forth all the easier to endure. Every one of this clips is taken from ‘Heaven Sent’ – with one exception. Can you spot it?
2. The Ninth Doctor channel hops (April 2020)
The Twelfth Doctor’s been dive-bombing a lake and getting his skull melted by a Dickens reject. Three regenerations back, one of his predecessors is stuck in a flat with Jackie Tyler. I know where my sympathies lie. Sorry, Peter; you’re on your own.
Eccleston is notoriously catty about some of his former roles. Thor 2, for example, was “like having a gun in your mouth”. He’s not much happier about G.I. Joe. I also read that he hated to be asked about Raymond Calitri, which is why it’s in here – but supposedly he’s cooled off about that over the years, so perhaps a reconciliation with the MCU may be on the cards. Although somehow I doubt it; he’s not exactly in a hurry to go back to Doctor Who.
But everyone has a breaking point. What would it take for Eccleston to relive those hours in the makeup chair? Watch it, and you’ll see.
3. The Tenth Doctor in Lockdown (May 2020)
Now, this was a departure. Not because it’s particularly different in tone or approach – awkward enjambment of two contrasting sources is something I’ve been doing since year dot – but because I managed, after some trial and error, to get a picture-in-picture effect when the Doctor’s watching the screen. It lasts for approximately three seconds and it’s by no means perfect (look closely and you can see Tennant’s head walking through the bottom of the image) but it’s vital, because it establishes that he’s looking at it there and then in the heart of the Crucible. You nail that, and everything else follows.
Oh, and I make no apologies for anyone I might offend with this, because I think the only person who’s likely to be offended is Ian Levine. And Ian Levine is, for want of a better word, a complete cockwomble.
There are good things coming to BoM in the next few days, but I also have a few time-sensitive images I really ought to be sharing, so we’ll do that first. Sharing these days seems to be the new black, whether it’s books or audio material or free online tuition, all hastily assembled in a disassociative spirit of ‘community’. Isn’t it great, the internet seems to be collectively screaming, how a pandemic makes us all better people? (Hashtag strongertogether? wewillgetthroughthis? Pick one.)
I’m cynical, but that’s largely because I know full well that the sea change the left are predicting or clamouring for is probably not going to materialise. If there’s one thing that life has taught me – one thing Doctor Who has taught me – it’s that people have remarkably short memories. No foxhole housed an atheist, and when we’re all in a spot – and forced, within the confines of our homes and local neighbourhoods, to indulge in extended periods of reflection, it’s easy to think that Things Will Be Different once this is all over. It would be lovely if that were so; something has to give, and heaven knows it’s been a blessed relief not having to read about Brexit these past few weeks, even if my feed is otherwise clogged with pictures of sunbathing tourists and deserted shopping centres. But I’m reminded, I’m afraid, of the end of An Inspector Calls, and the scene where the Birling family, having believed for a minute or two, that they’ve got away with the crimes to which they’ve confessed that evening, start to talk about things getting back to normal – only for karma to intervene in a sudden and dramatic manner with the sound of a ringing phone.
The phones do not ring here. For one thing we’re all on Messenger; for another, life seldom imitates art so neatly. There will be lessons learned, but not by those who need to learn them the most. And we’ll all go back to Netflix marathons and jokes about the next election, and things will continue much as they were. And perhaps that’s not the terrible calamity I’m painting it to be. Perhaps.
In the meantime we’re all apparently supposed to saturate Facebook with beach pictures to lighten the mood. Fair enough; here’s mine.
There are rumours doing the rounds about the actual cause of the virus, which – if you believe everything you read on the internet – has less to do with bats and more to do with 5G, leading to a spate of online petitions, debunked conspiracy theories in open access journals, and the occasional act of vandalism on a telephone mast.
Meanwhile, as he recovers from the effects of COVID-19 at St. Thomas’ Hospital, Boris Johnson receives an unexpected visitor.
(Oh God. This one is going to date very badly, isn’t it?)
In the meantime – unless you’re a key worker – you’re probably doing what I’m doing, which is staying home, getting up later than you should and doing more than some people advise and less than others suggest, which probably means you’re getting the balance about right. I implore you, constant reader, to keep your chin up, and if you’re in a dark place, please tell someone about it. Even if that person is me, and even if you’re simply using the comments box. At least you’ll get a response that way. Or just tell me what you’ve been doing; what books you’ve read, what TV you’ve watched; tell me about the novel you’re planning but will probably never write; the prospects for exercise in the local community; how many people in your street clapped for the NHS. Or tell me nothing. I’m fine with that, and I will keep the memes coming in any case.
Of course, you probably could go to the beach, if you were careful about it.
Yes, well, I think two weeks of radio silence is long enough. I spent quite a lot of it building a TARDIS-themed virtual art gallery (coming soon to a WordPress feed near you!) and rolling my eyes at people on Facebook who still have no idea who Brendan actually was, or are convinced that Chibnall’s shat all over the legacy of Doctor Who, or who think the Master is lying, or any combination of the above. That’s until we all started talking about getting coughs instead; I’m frightened for my elderly father and the schools are about to shut, but at least the moral outrage over Series 12 is dying down.
Anyway: there are quite a few unrealised blog posts lying around in my drafts folder, and seeing as we’re all going to be stuck at home for the forseeable future you might as well have something to read. But before we get to any of them, we really ought to do a news update.
First, there’s the fallout from Rishi Sunak’s publicity phot, as a certain other high-ranking politician with dodgy scruples asks if you would like the good tea or the bad tea.
Over on the Naismith Estate, Max Von Sydow is upset that he and Timothy Dalton have both turned up at the Time Lords’ New Year’s Eve party wearing the same dress.
And it turns out some members of the public have an unorthodox approach towards celebrating No Smoking day.
Secret recordings reveal the real culprit behind Prince Harry’s prank call from Greta Thunberg.
At the BBC, there are internal complaints that the new sanitisation procedure is borderline excessive.
Donna Noble regrets not packing her own bog roll.
Sometimes washing your hands isn’t quite enough.
And on the streets of Cardiff it seems that not everyone is taking government guidelines seriously.
Halloo! There will be fresh a conspiracy theory roundup very soon – of course there will – but to tide you over until then, here’s the first bi-weekly edition of memes from this year’s Doctor Who series, along with topical stuff that simply couldn’t wait. I am tapping this while waiting for the shopping to arrive, and Tesco do have a tendency to be early, so let’s crack on, shall we?
‘Spyfall’ first: and, in a joke that is probably going to appeal to a maximum of three people, there’s a major upset when the Doctor tries to decode the Kasaavin signal.
In the year 200,000 there’s much hilarity on Twitter when Billie Piper botches an easy question.
Taking refuge during a Kansas cyclone, young Dorothy Gale gets a nasty shock when she looks out of the window.
And fresh from his appearance in a Japanese TV trailer, Baby Sonic dashes from the Green Hill Zone to the fields of Provence to give his flower to a very special painter.
In a Trenzalore cemetery, a whispered conversation reveals the truth behind the controversy around last year’s Christmas blockbuster.
And stranded on Earth and forced to live through most of the twentieth century, the Master takes a job at the BBC.
Midnight. Not a sound from the pavement. Until the unmistakeable noise of boots on concrete, a plaintive, distant roar, and the cry of “DOCTOOOOOOORRR!”
There are cats in today’s video roundup; of such things you may be sure. But we’ll get to that. First, the Doctor’s off to Norway.
1. Doomsday: The Sitcom Version (July 2019)
It’s no great secret that I’ve long found the ending of ‘Doomsday’ unintentionally amusing. Oh, I know it tugs at the heartstrings. I know there is a great tragedy in the story of Rose’s death and eternal separation from the Doctor, where ‘death’ means ‘dropped off a stack of papers at the council registry office’ and ‘eternal separation’ means ‘off screen for a year so Billie Piper can get her teeth done’. At the time, it was like the end of the world. For some of us. I was sitting there wondering if Davies would be able to outdo his “I think you need a Doctor” line from ‘Parting of the Ways’. I was not disappointed. The Doctor flits in and out of vision on a beach in Glamorgan and bottles out of the conversation in the middle of a sentence when the signal drops. He even burns up a star, for pity’s sake. The TARDIS carbon footprint must be astronomical.
So here’s a thought: if it’s funny by accident, what if we made it funny on purpose? What if I stuck in a laugh track? And the theme from Me and My Girl? How many Tennant fangirls and humourless puritans could I annoy? As it turns out the answer is ‘quite a lot’, although doing a quick headcount I do think I made more friends than enemies. It works reasonably well, given that this was a first attempt, and I know what I need to change for next time. “It would work better,” someone said, “if you had less general tittering and stuck to some belly laughs. As it stands, it becomes a lot of white noise.” Which is a perfectly valid criticism. “OH MY GOD YOU SICK UNFEELING BASTARD HOW COULD YOU MAKE THIS?”, I’m afraid, is not.
2. The Cats Trailer, Doctor Who style (July 2019)
The Cats motion picture is the new Class. It’s a film nobody asked for and nobody really wanted. It exploded onto the internet in a nightmarish display of peculiarity: a half-lit freakshow, filled with pawing and acrobatics and bizarre, decontextualised choreography. James Corden bounces and Taylor Swift sits in a hammock and Judi Dench plays Judi Dench, only in a wig. It was horrible. “And besides,” said hundreds of Doctor Who fans everywhere, “we had cats in Doctor Who and they looked much better than this lot”. Which is true, of course, although it’s not exactly fair: we’re talking about two largely separate mediums, and the requirements for the two types of role are completely different. It doesn’t help that I actually can’t stand Cats, although I do love a bit of Lloyd Webber: it is a disjointed melee of stories and ‘character’ songs, some of which work, some of which do not, and a tedious, oversung finale.
Within a day of the first trailer drop, someone had uploaded their own version, which married the footage with the music used in the trailer to Us, with alarmingly good results. And however misguided the complaints about makeup and CGI, there was – I realised, just in the nick of time – a definite market for a Who-themed remake. And so I took footage from ‘Gridlock’ and ‘The Shakespeare Code’ and stuck in a couple of carefully chosen soundbites and then put the whole thing together on one fevered, insomnia-drenched evening back in the summer. To answer a frequently asked question, the cats from Doctor Who aren’t in here because they simply wouldn’t have worked next to this lot: you’d just have a weird and confusing juxtaposition of different styles of feline and sometimes it’s best to just keep these things simple. As it is it hangs together, much like Tabitha is currently hanging from the edge of my tablecloth. For heaven’s sake, I’ll feed you in a minute.
3. Flatulent Clara (August 2019)
Fart jokes are brilliant, aren’t they? I make no apology for loving them to bits. Russell T Davies built an entire recurring villain around them. Dropping in a fart gag, in any capacity, is a good way to sort the wheat from the chaff, because supposedly sophisticated people are always very quick to tell you how juvenile you’re being and how toilet humour is the lowest form of humour. Sod the lot of you, I say. Fart jokes are funny, just like a pie in the face is funny. I love a bit of Oscar Wilde as much as the next man, but who can honestly say that The Importance of Being Earnest wouldn’t have been improved if Lady Bracknell had tripped over the handbag and landed flat on her arse?
There are plenty of brilliant fart redubs on YouTube – a Star Trek one and a quite spectacular reimagining of the restaurant sequence from ‘Deep Breath’ are just two of the mashups I’ve seen comparatively recently – but when I was dipping a toe into the murky waters of flatulence gags, it was Clara, of all people, who stood out. I think it’s the eyes. Jenna Coleman does most of her acting with her eyes, whether she’s gazing fearfully at a rampaging monster or staring incredulously at the Doctor, waiting for him to finish monologuing. There are lots of moments like that, and it struck me that – as good as her acting was – many of them would have been improved with a couple of gas bombs in the background.
This originally started life as a single scene – the notorious console room ballet that opens ‘The Rings of Akhaten’, in which Clara and the Doctor are seen cavorting round the TARDIS interior like a couple of tryouts for Swan Lake. Try as I might, I was unable to get it to gel, but it then occurred to me that Clara’s penchant for meaningful pauses and penetrating stares extends far beyond that one story, so I widened the scope to encompass the whole of series 7B. Akhaten still has a reasonable part to play, but you’ll also see shots from ‘Hide’, ‘Cold War’ and ‘The Crimson Horror’, among others. I tried to do something similar the other week with Jodie Whittaker, with only limited success – despite the scrunching she really doesn’t lend herself to that sort of humour. I might have another look. In the meantime, Clara’s done three series. Keep the clothes pegs on standby.