Last time we spoke, I was telling you about art. Well, not art so much; more the practice of curating it. There are probably rules to this, although I’ve never bothered to learn them; it’s more a matter of common sense. Bench positioning is crucial. Watch your lighting. Galleries with wallpaper are a gamble: everything looks better on white. You need to make the most of blank space, to hang with care and consideration, allowing the artwork room to breathe.
I can’t remember at which point I decided to build a TARDIS interior, but it made perfect sense. Here was a space you could fashion from the ground up with walls and doors placed more or less wherever you want: the notion of a space that opened out onto a seemingly infinite expanse was actually quite easy to do. I called it, for want of a better title, @biggerontheinside.
What I really wanted was to do a nice sort of walkthrough where I film myself wandering around the place, telling you all about it. But my ageing PC is simply not up to the job, and the 7 FPS bit of test footage I managed to cobble together was enough to convince me that this was, at least for now, a terrible idea. I may rethink a little further down the line – everyone likes videos – but for the moment you will have to put up with still images and a bit of narrative from yours truly.
We start out in the Twelfth Doctor’s study.
Well, sort of. You can get a vague idea of it, can’t you? I mean there are bookshelves and wine bottles and a desk of sorts, although it’s way too big. The mirror over at the far end is a teleport that leads you back to my main gallery, and the window beside it overlooks a pleasant little courtyard. But it’s the blue wall in the corner you need to look at. As entrances go it’s pretty terrible, but it’s where the magic begins.
The main console room, if you hadn’t guessed, is designed to be a variant of the one Capaldi was using. You can’t easily do round rooms in OWW, but it sort of works, particularly if you’ve got one of those fish-eye effect filters on your phone. The main problem was assembling a central column which had a sufficiently convincing time rotor, or at least something that might pass as a time rotor. I got round it by using a tree.
Dotted all around the TARDIS are little passive-aggressive exchanges between the Doctor and Nardole. I realised they’d spent about a thousand years together, so they’re basically flatmates. This first one is a nod to ‘The Pilot’.
Can I say at this point that I was really quite pleased with the corridor lighting? It isn’t often you find something in OWW that just fits what you’re trying to do, but this one really gels.
Wander a little further along and you’ll encounter the library – specifically the one Clara wanders into during ‘Journey To The Centre of the TARDIS’. You can’t see it properly here, but it’s a vast, multi-levelled thing, and thankfully nowhere near the swimming pool.
It’s no great secret that ‘Journey’ ranks among one of my least favourite episodes – seriously, it’s a great big turkey of a tale – but it did provide me with a fair bit of inspiration for this little collection. One of the silliest things about the episode was the Architectural Reconfiguration Suite (you remember, the one with the Stuff That Can Make Other Stuff), but I’ll go out on a limb – pun intended – and admit that it was quite fun to build. Lighting is very resource-hungry in OWW, but I managed to pull this off without overloading the system. You know, apart from the crashing.
Now we get to a bit that’s entirely made up. It occurred to me, fairly early on, that I really ought to put some actual art into this place, and thus I came up with the idea of the Memory Garden, a place in which the Doctor stores paintings and mementoes of his previous exploits, sort of like the Batcave. This is half Oxford college quadrangle, half National Trust driveway.
I tried to make sure that everything in this room had at least some Doctor Who connection, no matter how tenuous. This is the ‘City of Death’ pillar; Van Gogh has one all to himself.
When you examine a piece of art in the in-game AI, you have the opportunity to leave comments about it, both positive and negative. That photo on the right has a thread full of people saying “DON’T BLINK!”
‘Journey’ wasn’t the first Doctor Who story to feature extensive exploration of the TARDIS. We also saw a fair bit in ‘The Invasion of Time’, although for some reason in that story the corridors resembled an abandoned hospital. Still, wander down the stairs in my TARDIS and you’ll discover a whole basement full of nods to this particular story. Here, I’ve tried to recreate the Undergallery.
Baker didn’t always hang out in the white room. At times he favoured a secondary chamber done out in panelled wood, and that was an opportunity to try out something a little different. As I think I mentioned before, console rooms are a pain in the neck to do, because it’s extremely difficult to build a hexagonal structure, so this will have to suffice. At least the wood is convincing.
Just along the corridor from the secondary console room was the botanical garden, as seen in ‘Invasion’. There are a lot of plant and tree assets in OWW, so I made the most of them. If it looks a mess, that’s deliberate.
Perhaps the bit I’m most proud of is the swimming pool. It’s not the one we saw in ‘Journey’ – that dimly lit Olympic sized one that Clara witnesses as she’s wandering the corridors, although I daresay I could have had a go at that if I really wanted. No, this is the one in which Leela takes a plunge just before they head back to Gallifrey at the beginning of ‘Invasion of Time’. It’s a more little art deco than it was on TV, and I don’t know why the Doctor’s built a sauna at the far end, but ours is not to reason why.
I may have mentioned before that the default floor in OWW is water. So it was dead easy to build a pool: you just create it at ground level and the water is filled in for you automatically. See the mosaic on the right? I built that, tile by tile. It took ages, but as with everything else in this inconsequential little vanity project, it was totally worth it.
And that’s your lot. I’m still building in OWW, irregularly, but the latest project is going to be a long time coming, given that it’s a full scale recreation of Portmeirion, as seen in The Prisoner, right down to the plastic bubble on the beach. When it’s done, you can see it. Until then? Be seeing you.