Posts Tagged With: doomsday

The Smallerpictures video dump (2019, part six)

Midnight. Not a sound from the pavement. Until the unmistakeable noise of boots on concrete, a plaintive, distant roar, and the cry of “DOCTOOOOOOORRR!”

There are cats in today’s video roundup; of such things you may be sure. But we’ll get to that. First, the Doctor’s off to Norway.

 

1. Doomsday: The Sitcom Version (July 2019)

It’s no great secret that I’ve long found the ending of ‘Doomsday’ unintentionally amusing. Oh, I know it tugs at the heartstrings. I know there is a great tragedy in the story of Rose’s death and eternal separation from the Doctor, where ‘death’ means ‘dropped off a stack of papers at the council registry office’ and ‘eternal separation’ means ‘off screen for a year so Billie Piper can get her teeth done’. At the time, it was like the end of the world. For some of us. I was sitting there wondering if Davies would be able to outdo his “I think you need a Doctor” line from ‘Parting of the Ways’. I was not disappointed. The Doctor flits in and out of vision on a beach in Glamorgan and bottles out of the conversation in the middle of a sentence when the signal drops. He even burns up a star, for pity’s sake. The TARDIS carbon footprint must be astronomical.

So here’s a thought: if it’s funny by accident, what if we made it funny on purpose? What if I stuck in a laugh track? And the theme from Me and My Girl? How many Tennant fangirls and humourless puritans could I annoy? As it turns out the answer is ‘quite a lot’, although doing a quick headcount I do think I made more friends than enemies. It works reasonably well, given that this was a first attempt, and I know what I need to change for next time. “It would work better,” someone said, “if you had less general tittering and stuck to some belly laughs. As it stands, it becomes a lot of white noise.” Which is a perfectly valid criticism. “OH MY GOD YOU SICK UNFEELING BASTARD HOW COULD YOU MAKE THIS?”, I’m afraid, is not.

 

2. The Cats Trailer, Doctor Who style (July 2019)

The Cats motion picture is the new Class. It’s a film nobody asked for and nobody really wanted. It exploded onto the internet in a nightmarish display of peculiarity: a half-lit freakshow, filled with pawing and acrobatics and bizarre, decontextualised choreography. James Corden bounces and Taylor Swift sits in a hammock and Judi Dench plays Judi Dench, only in a wig. It was horrible. “And besides,” said hundreds of Doctor Who fans everywhere, “we had cats in Doctor Who and they looked much better than this lot”. Which is true, of course, although it’s not exactly fair: we’re talking about two largely separate mediums, and the requirements for the two types of role are completely different. It doesn’t help that I actually can’t stand Cats, although I do love a bit of Lloyd Webber: it is a disjointed melee of stories and ‘character’ songs, some of which work, some of which do not, and a tedious, oversung finale.

Within a day of the first trailer drop, someone had uploaded their own version, which married the footage with the music used in the trailer to Us, with alarmingly good results. And however misguided the complaints about makeup and CGI, there was – I realised, just in the nick of time – a definite market for a Who-themed remake. And so I took footage from ‘Gridlock’ and ‘The Shakespeare Code’ and stuck in a couple of carefully chosen soundbites and then put the whole thing together on one fevered, insomnia-drenched evening back in the summer. To answer a frequently asked question, the cats from Doctor Who aren’t in here because they simply wouldn’t have worked next to this lot: you’d just have a weird and confusing juxtaposition of different styles of feline and sometimes it’s best to just keep these things simple. As it is it hangs together, much like Tabitha is currently hanging from the edge of my tablecloth. For heaven’s sake, I’ll feed you in a minute.

 

3. Flatulent Clara (August 2019)

Fart jokes are brilliant, aren’t they? I make no apology for loving them to bits. Russell T Davies built an entire recurring villain around them. Dropping in a fart gag, in any capacity, is a good way to sort the wheat from the chaff, because supposedly sophisticated people are always very quick to tell you how juvenile you’re being and how toilet humour is the lowest form of humour. Sod the lot of you, I say. Fart jokes are funny, just like a pie in the face is funny. I love a bit of Oscar Wilde as much as the next man, but who can honestly say that The Importance of Being Earnest wouldn’t have been improved if Lady Bracknell had tripped over the handbag and landed flat on her arse?

There are plenty of brilliant fart redubs on YouTube – a Star Trek one and a quite spectacular reimagining of the restaurant sequence from ‘Deep Breath’ are just two of the mashups I’ve seen comparatively recently – but when I was dipping a toe into the murky waters of flatulence gags, it was Clara, of all people, who stood out. I think it’s the eyes. Jenna Coleman does most of her acting with her eyes, whether she’s gazing fearfully at a rampaging monster or staring incredulously at the Doctor, waiting for him to finish monologuing. There are lots of moments like that, and it struck me that – as good as her acting was – many of them would have been improved with a couple of gas bombs in the background.

This originally started life as a single scene – the notorious console room ballet that opens ‘The Rings of Akhaten’, in which Clara and the Doctor are seen cavorting round the TARDIS interior like a couple of tryouts for Swan Lake. Try as I might, I was unable to get it to gel, but it then occurred to me that Clara’s penchant for meaningful pauses and penetrating stares extends far beyond that one story, so I widened the scope to encompass the whole of series 7B. Akhaten still has a reasonable part to play, but you’ll also see shots from ‘Hide’, ‘Cold War’ and ‘The Crimson Horror’, among others. I tried to do something similar the other week with Jodie Whittaker, with only limited success – despite the scrunching she really doesn’t lend herself to that sort of humour. I might have another look. In the meantime, Clara’s done three series. Keep the clothes pegs on standby.

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Have I Got Whos For You (Tenth Doctor Special)

You know how this works by now, folks, so let’s crack on. Today we examine the lighter, darker and more idiosyncratic sides of poll winner and sex symbol extraordinaire, David Tennant – better known as the Tenth or Tenth and Eleventh or Eleventh and Twelfth Doctors, depending on how you count. But seriously, let’s not go there this morning. I haven’t the stomach for it, particularly not after all that Photoshopping.

First and foremost: alternative Alien 3 casting.

Boring Doctor Who episodes, #53.

Star Wars revisited.

Alarming discoveries in the Antarctic.

David Tennant, reluctant trumpet player.

Seasonal observations, part one.

We did Roald Dahl the other week, but any excuse.

“What a glorious feeling, I’m happy again…”

If you’ve seen Akira, then…

There, I fixed it.

I fixed it here as well.

And talking of beach farewells.

“When I finally do what frozen things do in summer…”

David Tennant, reluctant Oxford tryout.

Presented without apology.

“Ah.”

In later years, the Meta-Doctor would experience a midlife crisis, and an exasperated Rose would eventually leave him.

“Parachute? PARACHUTE?!?”

Seasonal observations, part two.

David Tennant, reluctant sunflower.

“I don’t wanna – actually, yeah. Yeah, I do.”

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The Smallerpictures video dump (2019, part five)

I seem to have a backlog of videos to embed, so what better way to spend a Saturday morning than writing about some of them? Today, we’re looking at political Cybermen, irritating mathematical geniuses and fudged Italian opera, so without further ado, let’s delve into the ridiculous world of tenuous connections and ridiculous mashups that is my head. Bring that slab of Kendal; at least one of us is liable to get hungry.

 

1. Doomsday: Strong and Stable Edition (June 2019)

There is something about Yvonne Hartman’s final words that resonates with me. We’re supposed to be moved as she stands on a staircase moping about queen and country and leaking oil (something I never want to see again, ever). In truth she sounds like a politician falling back on soundbites to get out of a quandary. It is a silly scene in a dreadful episode and thus when it comes to potential redubbing opportunities it is very much top of the list.

If you remember Theresa May’s farewell speech, all the way back in June, you will recall the moment her voice cracked as she spoke of serving the country she loved, before walking back into Downing Street for what we were supposed to believe was the last time (the likely truth is she had to go back in later when she forgot her purse). Meanwhile I was making notes, ripping out highlights and then running her voice through a couple of filters so that she sounded reasonably Cyberish (is that a word? I’m making it a word). The end result is something I confess I quite like. It is one of those transient videos, which stopped being funny as soon as the internet had moved on to the next thing (which took all of a week), but for a moment there, people were laughing.

 

2. Earthshock Redux (June 2019)

This is absolutely ridiculous, and I still don’t think it quite works, but it’s the best episode I could find of making the joke I’m not about to give away here. If you’re familiar with the ads, you’ll see what I was trying to do. If you’re not, then it will fly over your head like Concorde. That was a reference to Time Flight, by the way, in case anyone had failed to realise. At least you get to see Adric explode, which is no bad thing.

 

3. Jon Pertwee sings (July 2019)

How did I mark the Pertwee centenary? With this. Pertwee is easily the most musical of the Doctors, at least on screen – forever breaking into song as he’s driving or tinkering, and on more than one occasion a musical interlude proves to be a lifesaver. (Unfortunately it’s exactly the same monster and exactly the same song, two years down the line, which does rather cheapen the effect.)

Speaking of effects, wouldn’t it be far more fun if Pertwee’s voice was contaminated with helium? In recent weeks I’d finally worked out how to adjust vocal tracks so that the pitch is adjusted without the speed being compromised. At some point I’ll be applying it to River’s wedding scene, which will probably make it bearable. In the meantime, I tagged Pip Madeley in the Twitter upload, and he gave it his seal of approval, which is extremely gratifying. Anyone else fancy a bit of John Denver?

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Have I Got Whos For You (Party Politics edition)

And introducing David Mellor as the Doctor.

(It’s fine, really. I’ve never liked him much but I maintain a chap has a right to have his hair however he wants. Still, it’s such an obvious joke…)

We have a couple of fan-baiting posts in the works over at Brian of Morbius, but I’m about to go on holiday and I’d very much like to be around to deal with the fallout when they land on social media, so that’ll have to wait. Instead, here’s a fresh selection – some hot off the press, some slightly older material I hadn’t yet got around to posting – and much of it of a political bent. You’ve been warned.

“Define ‘political’,” I hear you ask, when I’ve prodded you in the ribs and asked you to read it off the cue card. Well –

“What’s Trump doing there?” someone asked, whereupon I had to explain that no, this wasn’t Trump. “What are you talking about?” was the reply. “Of course it is.” And I suppose in a way she’s right, although not on purpose.

Speaking of Trump, he’s finally got that wall finished.

“Henry may be sad. Of course he’s sad. It’s what he deserves. Engines who don’t pull their weight get punished. No doubt the FAKE NEWS MEDIA will spew out their usual garbage about unions. Why don’t they go back to the cesspools they came from?”

Of course, if you really want something Who-related.

Talk to the hand, baby.

Elsewhere, in a pub somewhere in Norfolk, the Twelfth Doctor is trying unsuccessfully to get Kate Lethbridge-Stewart interested in Risk.

At a private function in the very same venue, John Bercow is realising that he’s missed his true calling all these years.

And somewhere in the void:

I think I’ll just go and eat worms…

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Godel, Escher, Dalek (part 2)

Today: two versions of the same scene.

Those of you who were reading back in October may recall a lengthy post I wrote based around the theory of palindromic Doctor Who. Modelled around a passage in the Hofstadter in which Achilles and the tortoise have a conversation that runs forwards and then backwards and still makes sense, I wondered if you could apply the same idea to certain scenes in our favourite show. The first sequence I discovered that worked was the moment in ‘Utopia’ in which the Doctor and Martha encounter Jack, who’s just fallen off the back of the TARDIS on its journey to the end of the universe. Running it backwards almost worked, and added some tonal ambiguity to an otherwise dull scene.

You’ll notice in the comments that a user calling themselves Emfour suggested a follow-up:

DALEK: Identify yourself!

CYBERMAN: You will identify first.

DALEK: State your identity!

CYBERMAN: You will identify first.

DALEK: Identify!

This, of course, comes from ‘Doomsday’, specifically the scene in which the Daleks and Cybermen meet first time and we discover that a conversation between them is about as interesting as being in a Yahoo! chat room (and I spent quite a lot of time in Yahoo! chat rooms before I was married, so I know whereof I speak). It’s a tedious scene, but it was a dream to edit because neither side moves their lips. This meant that synching up the unscored audio with the onscreen action was one of the easiest things I’ve ever had to do.

So I did it twice.

In for a penny, in for a pound, right? While the Cybermen and Daleks are playing a metaphorical Pong match, the Doctor and Jackie are panicking. There are a great many quick exchanges and quite a lot of repetition, but it sort of works.


And because I’m nice like that, here’s a transcript. For the sake of simplicity, all location references are removed, and all Daleks are amalgamated into one.

DALEK: Identify yourselves.

CYBERMAN: You will identify first.

DALEK: State your identity.

CYBERMAN: You will identify first.

DALEK: Identify!

MICKEY: It’s like Stephen Hawking meets the Speaking Clock.

CYBERMAN: That answer is (??) and illogical. You will modify.

DALEK: Daleks do not take orders.

CYBERMAN: You have identified as Daleks.

DALEK: Outline resembles the inferior species known as Cybermen.

JACKIE: Rose said about the Daleks. She was terrified of them. What have they done to her, Doctor? Is she dead?

DOCTOR: Phone.

JACKIE: What?

DOCTOR: Phone!

CYBERMAN: We followed in the wake of your sphere.

DALEK: Long range scans confirm the presence of crude cybernetic constructs on worldwide scale.

DOCTOR: She’s answered. She’s alive. Why haven’t they killed her?

JACKIE: Well, don’t complain!

DOCTOR: They must need her for something.

DALEK: We must protect the Genesis Ark.

DOCTOR: The Genesis Ark?

CYBERMAN: Our species are similar, though your design is inelegant.

DALEK: Daleks have no concept of elegance.

CYBERMAN: This is obvious. But consider, our technologies are compatible. Cybermen plus Daleks. Together, we could upgrade the Universe.

DALEK: You propose an alliance?

CYBERMAN: Together, we could upgrade the Universe. Cybermen plus Daleks. This is obvious. But consider, our technologies are compatible.

DALEK: Daleks have no concept of elegance.

CYBERMAN: Our species are similar, though your design is inelegant.

DOCTOR: The Genesis Ark?

DALEK: We must protect the Genesis Ark.

DOCTOR: They must need her for something.

JACKIE: Well, don’t complain!

DOCTOR: She’s answered. She’s alive. Why haven’t they killed her?

DALEK: Long range scans confirm the presence of crude cybernetic constructs on worldwide scale.

DOCTOR: Phone.

JACKIE: What?

DOCTOR: Phone!

JACKIE: Rose said about the Daleks. She was terrified of them. What have they done to her, Doctor? Is she dead?

DALEK: Outline resembles the inferior species known as Cybermen.

CYBERMAN: You have identified as Daleks.

DALEK: Daleks do not take orders.

CYBERMAN: You will modify.

MICKEY: It’s like Stephen Hawking meets the Speaking Clock.

DALEK: Identify!

CYBERMAN: You will identify first.

DALEK: State your identity.

CYBERMAN: You will identify first.

DALEK: Identify yourselves.

But we don’t need to bother with all this, because it works just as well – better, even – if you take the first few lines of dialogue and loop them, ad nauseum.

I have a feeling that a better solution to the problem would have been to implement some sort of temporal loop so that both parties had to relive the conversation in this way until they rusted into oblivion. Countless deaths could have been prevented, and we’d have been spared that excruciating scene on the beach. Why am I not working for the BBC? For that matter, why isn’t Emfour?

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