Posts Tagged With: doomsday

The Smallerpictures Video Dump (2021, Part Two)

‘Allo. Been a while, but nice to see you. More videos you’d be wanting, is it? Righto then, let’s see what we’ve got in stock.

1. Doomsday: Alternate Ending (March 2021)

The more a scene is revered, the more likely it is that I’ll end up mocking it. And they don’t get much more revered than the tearful, overwrought beach farewell that wrapped up series 2; watching Rose puff out her cheeks is still enough to get me giggling. Not enough with adding a laugh track a while ago, I decided – purely for the sake of producing something for the first time this year – to spice it up with another of the Doctor’s famous lines. It’s not one of my better ones, but it gets a laugh.

2. Stay Outside (April 2021)

Now, this one. This one I am proud of. You will remember, last spring, that the first lockdown saw a spate of government advice telling us all to stay in our homes and only leave when absolutely necessary, and don’t forget your physical jerks and we have always been at war with Eurasia. I dealt with some of the cabin fever by accompanying one of the radio announcements with scenes from ‘Heaven Sent’, which worked quite well.

This time around, we’re out of lockdown but we’re still supposed to be cautious – and thus here’s Dr. Hilary Jones (yes, he of This Morning) to tell us all about the things we should and shouldn’t be doing. And here’s Matt Smith, trying to social distance from a group of murderous pensioners in Ledworth. Ain’t life grand?

3. The Masked Singer: Rhino’s Got A Bad Throat (April 2021)

Rhino? Rhino, you say? Well, that’ll be a Judoon reference, then. I had the misfortune of catching a solitary episode of The Masked Singer not long before Covid first hit, and thought it a good idea, poorly executed (a couple of structural changes and you’d have yourself a far more entertaining experience, but what do I know?). Still, it’s going strong in the UK and America – Kermit the Frog, of all people, making a recent appearance when he was eliminated early on – but it was this particular chap (in reality baseball star Barry Zito) who caught my attention, to the extent that I wound up redubbing some of his performances to a throaty rendition of ‘Rapper’s Delight’. I don’t know, it seemed like a good idea at the time. Ko Ro So.

4. The Geoffrey and Bungle Videos (April – June 2021)

Lurking somewhere on Facebook there’s a series called The Same Video of The Same Guys Dancing To A Different Song. If you’ve seen it, you’ll know it (and the varying success to which it works): if you’ve not, you get the idea. Suffice it to say that they’re pushing on towards five hundred of these and whether or not an embedded song fits the two fellas strutting their stuff is dependent on two factors: how well the rhythm fits, and the impact of whatever happens at the thirty second mark when the second guy joins in. The one they did to Cher’s ‘Believe’ was particularly good.

Anyway: I’m not about to try and replicate that particular stunt, but having decided to hook up Geoffrey and Bungle with Peter Howells’ arrangement of the Doctor Who theme a couple of years back, I opted to revisit familiar territory and see how many of these I could make using different songs. It wasn’t difficult – it’s just a question of working out the tempo and Googling to see songs that fit. Some worked better than others, but the ones that didn’t work (‘Livin’ on a Prayer’; ‘Pinball Wizard’) I elected not to upload. The one you can see below enjoyed brief popularity on Twitter, for reasons I have yet to fully discern, but I also recommend you check out Stealer’s Wheel, and probably Hammer. U can’t touch this…

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The Queen and I

Greenbelt, August 2019. We are at the close: a raucous singalong under the canopy, led by the house band. Sensing what is coming, I lead the family quietly away before the last encore. But it’s too late: they are finishing with ‘Don’t Stop Me Now’, the song my mother requested at her funeral, which was four days ago. My children burst into tears. And supporting relatives come and put their arms aroud us, and we are united in grief.

I can still recall the minister some days before, saying “You may find it’ll take a while to be able to listen to the song again”. He was basically right, although I found the sadness had lessened by the time it turned up in Sonic The Hedgehog the following February. Eventually you learn to live with things. Besides, it’s a fitting way to remember her: my mother was judgemental as heck in November 1991, telling us how much that man had wasted his life, but she still listened to the music. We both did.

I’ve loved Queen for years, although it was a bumpy start. My aunt and godmother, looking for inspiration for Christmas gifts, was advised to buy me some Queen albums on cassette: she plumped for Queen II, which years later remains a personal favourite, and Hot Space, which…well, doesn’t. It doesn’t help that when you’re young you tend to miscategorise music tremendously; I would say, when asked, that I enjoyed “Heavy metal, like Queen”. Years later I discovered Slayer, and the penny dropped.

Hot Space is a big hot sparse mess of an album and we won’t dwell on it, but Queen II is its polar opposite: an over-indulgent, over-produced slab of absolutely brilliant fantasy rock. How can you fail to love a record that features a song called ‘The Fairy Feller’s Master Stroke’, references Poe, and then leads out with ‘Seven Seas of Rhye’? And that’s before we get to all the powerhouse riffs and Beach Boys nods in ‘Father To Son’, which is possibly my favourite Queen track of the early 70s. Sure as heck beats anything from The Game.

Years later I heard ‘Bohemian Rhapsody’ for the first time; it grew on me and now I rather enjoy it, although it’s overplayed and over-referenced and singalongs are a nightmare because people always, ALWAYS add that extra “No!” before the second “We will not let you go”, which is fine unless you’re trying to play the damned thing at a party. I use the word ‘play’ with a certain looseness; mostly I just bash out the chords and then let the drunken guests take over for the changes my untrained fingers have never quite been able to handle, although I daresay they could if I practiced hard enough. There was one particular evening, in the student bar at Devonshire Hall, Leeds, in September 1996 that is forever etched on my brain. They kept bringing me drinks and I kept bringing them songs; we jammed to ‘Three Lions’ and ‘Don’t Look Back In Anger’ and I was, for the only time that year, the most popular person in the room. That was a good night.

Then you get round to buying all the albums on CD and introducing them to your children (‘Good Company’ is a particular favourite), and before you know it it’s 2019 and they’ve done a biopic which gets, at least, the music right, provided you can live with the anachronisms about when things were written. I watched ‘Bohemian Rhapsody’ in a village hall with the two eldest; most of the film was spent tutting at things that didn’t happen and looking at cats, but at least it looks pretty, and I watched the final blistering twenty minutes with a big grin on my face, which I suppose is the point. Still, it’s hard not to be a little annoyed at some of the dramatic license – from the silly (Freddie accidentally inventing his portable microphone stand during their first ever gig) to the eyebrow-raising (basically everything from Hot Space to Berlin).

And can we please, for the love of sanity, have a music film other than Almost Famous that doesn’t depict all journalists as callous bastards? Some of us work very hard for what little coffers they pay and it’s debasing to see us reduced to a blank-faced stereotype at a press conference. I wouldn’t mind, but Bohemian Rhapsody is largely presented as fact, or at least the version of fact that the surviving members of the band wanted to tell; it’s clumsy and formulaic next to Rocket Man, which sets up an unreliable narrator in its first five minutes and then allows you to fill in the gaps yourselves. It is truth disguised as fiction, whereas Rhapsody is the complete opposite. Still, Gwilym Lee’s quite good.

Anyway. Here we are, and I’m doing my lyric-to-screenshot thing. It was tricky, because it isn’t: Queen often delved into the realms of sci-fi and fantasy (they have two movie soundtracks to their name) and it’s comparatively simple to find obvious lyrics. I have deliberately tried to plump for the obscure: there is nothing from ‘Princes of the Universe’ or the like, because it isn’t funny. Hopefully these are.

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The Smallerpictures Video Dump (2020-2021)

My YouTube channel quietly turned ten years old in January this year. I’d completely forgotten until I noticed the date. It all started because of a TV show that Emily and I had watched one evening, and which we decided to make a little less scary by adding Michael Crawford to the mix. So when John Hurt is bothered by rattling doors, self-moving furniture and things that generally go bump in the night, it’s because he’s got Frank Spencer standing outside in the corridor. If you’d really like to know more, you’re welcome to watch the video that started everything off, although personally I’d prefer it if you went straight to its remastered equivalent, which is considerably slicker on the editing front.

Anyway: I’m still producing video content, although I’ve slackened off a little of late to get this novel finished. But every so often an idea comes up, and every so often I’ll be sat at the keyboard, frantically moving frames, replacing dialogue and saving the thing every ten seconds in case my software crashes (which happens a lot, alas). And there’s still a channel and while it’s never going to reach Mr Beast’s level of popularity, I remain quite proud of the body of work I’ve accumulated over the last decade. Here’s some of the stuff I was working on last year.

1. What Did The Doctor See Outside The TARDIS? (August 2020)

When we look back at how we handled Covid, and the people who got us through it, then Pip Madeley is likely to be featured in the list of heroes. Pip is great – amusing, naturally talented and one of those fans who just gets it, realising that the best way to enjoy Doctor Who is to actually enjoy it, preferably without taking either the show or yourself too seriously. And it was with this attitude in mind, presumably, that he came up with an ongoing series that entertained us all during those first few months: namely ‘What are the Movellans watching whilst in lockdown‘?

There were tons of them. Stuck on that spaceship the Movellans have been watching Eastenders, old commercials (many of which starred Who alumni) and even the train wreck that was the 50th anniversary afterparty, specifically when Jo Wiley tried to talk to One Direction over a satellite link. There were things on there we’d never seen before, and a bunch of stuff we’d not seen in years, rendered all the more ridiculous when mixed with gaping stares and stunned silence. Pip followed it up with a series set in the Big Finish car park.

Anyway. Fast forward (or rewind; time is relative) back to August last year and a limited edition series that I launched over ten days, which saw Peter Capaldi reacting to a bunch of different things when he was looking for Gallifrey at the end of ‘Death In Heaven’. They were easy to do, once I had the template, and quite a lot of fun into the bargain; the toughest part was working out the optimal order in which to sequence them. The one I’ve embedded below basically sets the pattern, but if you really wanted to you could watch the whole thing on YouTube – that said I particularly recommend day four, day eight and, if you watch nothing else, day ten

2. The Lodger: Alternate Ending (October 2020)

Question. Can you take the scene where they’re running out of the flat-that’s-really-a-spaceship during the closing scenes of ‘The Lodger’ and splice it together with the bathtub descent in Paddington? Answer: no, you can’t. Not really. Not without looping the audio, which makes for a rather sloppy edit. But it had been ages since I’d done a video so it was the best I could manage at the time. In any event it gave a few people a few laughs, and that’s really only the ever reason why I do this.

3. The Handforth Parish Council Does Doctor Who (February 2021)

Well, this one exploded a bit.

My father worked as a clerk for a local council for some years, and he can testify as to the fact that what happened in Handforth – whilst going inexplicably viral early this year – is actually fairly typical for the sorts of things that go on at Parish Council gatherings, whether they’re happening in the flesh or online. There’s a kind of neutering effect to it. “It’s local politics, James,” he explained, “and many of the people who are involved wanted to be high-level politicans, but couldn’t, because other things got in the way, and so they have to test out all their high-scale dramas in small-scale meetings”.

It’s my view that no one comes out of the Handforth debacle smelling of roses – Jackie Weaver has been hailed the hero of the hour, and did the only thing she could under the circumstances, but the expelled councillor may nonetheless have been right to raise the objections that he did. Nonetheless the whole thing is wonderful to watch, whether it’s the misplaced order about standing orders (the remark on Jackie Weaver’s lack of authority has become the chief soundbite to be memed, but “READ THEM AND UNDERSTAND THEM!” has run a close second), the woman who forgets to mute herself while she answers the phone, or the whole disjointed pausing and talking over each other which is a staple part of every unedited Zoom call, but which in this case lent the whole sorry saga an extra layer of awkwardness.

This wasn’t the first Doctor Who video on the subject – nor was it necessarily the best – but I do think it more or less works. And while I’m not attributing its surge in popularity (at least by the standards of my usual hit count) as anything other than a general public fascination in all things Handforth, it was nice to get a hit count that made it out of double figures. If nothing else it’s an improvement on the original scene, which was dull as ditchwater. Plus Jackie Weaver gets to be a Dalek. What’s not to like about that?

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Have I Got Whos For You (series 12 edition, part five)

I’m on a clock this morning, so there will be as little text as possible. But we start with a deleted scene from ‘The War Games’.

Because of her narcolepsy, the Doctor’s career as a hula hoop artiste was unfortunately rather brief.

Goblet of Fire, revisited.

Unused publicity still for ‘The Timeless Children’.

“Yas! I can’t get this hat off!”

“That one. No wait, that one. No, not that one. Look, it was definitely a tree.”

“What the hell is she doing here?”

“RUN AWAY!”

It’s fine, Rose; he’ll catch you.

Enjoy being at home, if that’s where you are. It won’t be forever.

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Have I Got Whos For You (series 12 edition, part four)

“I should say a reassuring thing now, shouldn’t I?”

(Sorry.)

In Whoville this week, a familiar blue hedgehog gets upset that he can’t share the Doctor’s toys.

The Twelfth Doctor celebrates World Radio Day by dragging out his clockwork squirrel.

 

Elsewhere, the Thirteenth Doctor hangs about, waiting for Christian Grey.

Here’s an early concept still for ‘Ascension of the Cybermen’.

And over at Hogwarts:

And the Doctor is embarrassed when she runs into an old friend.

“Seriously, you had one job.”

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The Smallerpictures video dump (2019, part six)

Midnight. Not a sound from the pavement. Until the unmistakeable noise of boots on concrete, a plaintive, distant roar, and the cry of “DOCTOOOOOOORRR!”

There are cats in today’s video roundup; of such things you may be sure. But we’ll get to that. First, the Doctor’s off to Norway.

 

1. Doomsday: The Sitcom Version (July 2019)

It’s no great secret that I’ve long found the ending of ‘Doomsday’ unintentionally amusing. Oh, I know it tugs at the heartstrings. I know there is a great tragedy in the story of Rose’s death and eternal separation from the Doctor, where ‘death’ means ‘dropped off a stack of papers at the council registry office’ and ‘eternal separation’ means ‘off screen for a year so Billie Piper can get her teeth done’. At the time, it was like the end of the world. For some of us. I was sitting there wondering if Davies would be able to outdo his “I think you need a Doctor” line from ‘Parting of the Ways’. I was not disappointed. The Doctor flits in and out of vision on a beach in Glamorgan and bottles out of the conversation in the middle of a sentence when the signal drops. He even burns up a star, for pity’s sake. The TARDIS carbon footprint must be astronomical.

So here’s a thought: if it’s funny by accident, what if we made it funny on purpose? What if I stuck in a laugh track? And the theme from Me and My Girl? How many Tennant fangirls and humourless puritans could I annoy? As it turns out the answer is ‘quite a lot’, although doing a quick headcount I do think I made more friends than enemies. It works reasonably well, given that this was a first attempt, and I know what I need to change for next time. “It would work better,” someone said, “if you had less general tittering and stuck to some belly laughs. As it stands, it becomes a lot of white noise.” Which is a perfectly valid criticism. “OH MY GOD YOU SICK UNFEELING BASTARD HOW COULD YOU MAKE THIS?”, I’m afraid, is not.

 

2. The Cats Trailer, Doctor Who style (July 2019)

The Cats motion picture is the new Class. It’s a film nobody asked for and nobody really wanted. It exploded onto the internet in a nightmarish display of peculiarity: a half-lit freakshow, filled with pawing and acrobatics and bizarre, decontextualised choreography. James Corden bounces and Taylor Swift sits in a hammock and Judi Dench plays Judi Dench, only in a wig. It was horrible. “And besides,” said hundreds of Doctor Who fans everywhere, “we had cats in Doctor Who and they looked much better than this lot”. Which is true, of course, although it’s not exactly fair: we’re talking about two largely separate mediums, and the requirements for the two types of role are completely different. It doesn’t help that I actually can’t stand Cats, although I do love a bit of Lloyd Webber: it is a disjointed melee of stories and ‘character’ songs, some of which work, some of which do not, and a tedious, oversung finale.

Within a day of the first trailer drop, someone had uploaded their own version, which married the footage with the music used in the trailer to Us, with alarmingly good results. And however misguided the complaints about makeup and CGI, there was – I realised, just in the nick of time – a definite market for a Who-themed remake. And so I took footage from ‘Gridlock’ and ‘The Shakespeare Code’ and stuck in a couple of carefully chosen soundbites and then put the whole thing together on one fevered, insomnia-drenched evening back in the summer. To answer a frequently asked question, the cats from Doctor Who aren’t in here because they simply wouldn’t have worked next to this lot: you’d just have a weird and confusing juxtaposition of different styles of feline and sometimes it’s best to just keep these things simple. As it is it hangs together, much like Tabitha is currently hanging from the edge of my tablecloth. For heaven’s sake, I’ll feed you in a minute.

 

3. Flatulent Clara (August 2019)

Fart jokes are brilliant, aren’t they? I make no apology for loving them to bits. Russell T Davies built an entire recurring villain around them. Dropping in a fart gag, in any capacity, is a good way to sort the wheat from the chaff, because supposedly sophisticated people are always very quick to tell you how juvenile you’re being and how toilet humour is the lowest form of humour. Sod the lot of you, I say. Fart jokes are funny, just like a pie in the face is funny. I love a bit of Oscar Wilde as much as the next man, but who can honestly say that The Importance of Being Earnest wouldn’t have been improved if Lady Bracknell had tripped over the handbag and landed flat on her arse?

There are plenty of brilliant fart redubs on YouTube – a Star Trek one and a quite spectacular reimagining of the restaurant sequence from ‘Deep Breath’ are just two of the mashups I’ve seen comparatively recently – but when I was dipping a toe into the murky waters of flatulence gags, it was Clara, of all people, who stood out. I think it’s the eyes. Jenna Coleman does most of her acting with her eyes, whether she’s gazing fearfully at a rampaging monster or staring incredulously at the Doctor, waiting for him to finish monologuing. There are lots of moments like that, and it struck me that – as good as her acting was – many of them would have been improved with a couple of gas bombs in the background.

This originally started life as a single scene – the notorious console room ballet that opens ‘The Rings of Akhaten’, in which Clara and the Doctor are seen cavorting round the TARDIS interior like a couple of tryouts for Swan Lake. Try as I might, I was unable to get it to gel, but it then occurred to me that Clara’s penchant for meaningful pauses and penetrating stares extends far beyond that one story, so I widened the scope to encompass the whole of series 7B. Akhaten still has a reasonable part to play, but you’ll also see shots from ‘Hide’, ‘Cold War’ and ‘The Crimson Horror’, among others. I tried to do something similar the other week with Jodie Whittaker, with only limited success – despite the scrunching she really doesn’t lend herself to that sort of humour. I might have another look. In the meantime, Clara’s done three series. Keep the clothes pegs on standby.

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Have I Got Whos For You (Tenth Doctor Special)

You know how this works by now, folks, so let’s crack on. Today we examine the lighter, darker and more idiosyncratic sides of poll winner and sex symbol extraordinaire, David Tennant – better known as the Tenth or Tenth and Eleventh or Eleventh and Twelfth Doctors, depending on how you count. But seriously, let’s not go there this morning. I haven’t the stomach for it, particularly not after all that Photoshopping.

First and foremost: alternative Alien 3 casting.

Boring Doctor Who episodes, #53.

Star Wars revisited.

Alarming discoveries in the Antarctic.

David Tennant, reluctant trumpet player.

Seasonal observations, part one.

We did Roald Dahl the other week, but any excuse.

“What a glorious feeling, I’m happy again…”

If you’ve seen Akira, then…

There, I fixed it.

I fixed it here as well.

And talking of beach farewells.

“When I finally do what frozen things do in summer…”

David Tennant, reluctant Oxford tryout.

Presented without apology.

“Ah.”

In later years, the Meta-Doctor would experience a midlife crisis, and an exasperated Rose would eventually leave him.

“Parachute? PARACHUTE?!?”

Seasonal observations, part two.

David Tennant, reluctant sunflower.

“I don’t wanna – actually, yeah. Yeah, I do.”

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The Smallerpictures video dump (2019, part five)

I seem to have a backlog of videos to embed, so what better way to spend a Saturday morning than writing about some of them? Today, we’re looking at political Cybermen, irritating mathematical geniuses and fudged Italian opera, so without further ado, let’s delve into the ridiculous world of tenuous connections and ridiculous mashups that is my head. Bring that slab of Kendal; at least one of us is liable to get hungry.

 

1. Doomsday: Strong and Stable Edition (June 2019)

There is something about Yvonne Hartman’s final words that resonates with me. We’re supposed to be moved as she stands on a staircase moping about queen and country and leaking oil (something I never want to see again, ever). In truth she sounds like a politician falling back on soundbites to get out of a quandary. It is a silly scene in a dreadful episode and thus when it comes to potential redubbing opportunities it is very much top of the list.

If you remember Theresa May’s farewell speech, all the way back in June, you will recall the moment her voice cracked as she spoke of serving the country she loved, before walking back into Downing Street for what we were supposed to believe was the last time (the likely truth is she had to go back in later when she forgot her purse). Meanwhile I was making notes, ripping out highlights and then running her voice through a couple of filters so that she sounded reasonably Cyberish (is that a word? I’m making it a word). The end result is something I confess I quite like. It is one of those transient videos, which stopped being funny as soon as the internet had moved on to the next thing (which took all of a week), but for a moment there, people were laughing.

 

2. Earthshock Redux (June 2019)

This is absolutely ridiculous, and I still don’t think it quite works, but it’s the best episode I could find of making the joke I’m not about to give away here. If you’re familiar with the ads, you’ll see what I was trying to do. If you’re not, then it will fly over your head like Concorde. That was a reference to Time Flight, by the way, in case anyone had failed to realise. At least you get to see Adric explode, which is no bad thing.

 

3. Jon Pertwee sings (July 2019)

How did I mark the Pertwee centenary? With this. Pertwee is easily the most musical of the Doctors, at least on screen – forever breaking into song as he’s driving or tinkering, and on more than one occasion a musical interlude proves to be a lifesaver. (Unfortunately it’s exactly the same monster and exactly the same song, two years down the line, which does rather cheapen the effect.)

Speaking of effects, wouldn’t it be far more fun if Pertwee’s voice was contaminated with helium? In recent weeks I’d finally worked out how to adjust vocal tracks so that the pitch is adjusted without the speed being compromised. At some point I’ll be applying it to River’s wedding scene, which will probably make it bearable. In the meantime, I tagged Pip Madeley in the Twitter upload, and he gave it his seal of approval, which is extremely gratifying. Anyone else fancy a bit of John Denver?

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Have I Got Whos For You (Party Politics edition)

And introducing David Mellor as the Doctor.

(It’s fine, really. I’ve never liked him much but I maintain a chap has a right to have his hair however he wants. Still, it’s such an obvious joke…)

We have a couple of fan-baiting posts in the works over at Brian of Morbius, but I’m about to go on holiday and I’d very much like to be around to deal with the fallout when they land on social media, so that’ll have to wait. Instead, here’s a fresh selection – some hot off the press, some slightly older material I hadn’t yet got around to posting – and much of it of a political bent. You’ve been warned.

“Define ‘political’,” I hear you ask, when I’ve prodded you in the ribs and asked you to read it off the cue card. Well –

“What’s Trump doing there?” someone asked, whereupon I had to explain that no, this wasn’t Trump. “What are you talking about?” was the reply. “Of course it is.” And I suppose in a way she’s right, although not on purpose.

Speaking of Trump, he’s finally got that wall finished.

“Henry may be sad. Of course he’s sad. It’s what he deserves. Engines who don’t pull their weight get punished. No doubt the FAKE NEWS MEDIA will spew out their usual garbage about unions. Why don’t they go back to the cesspools they came from?”

Of course, if you really want something Who-related.

Talk to the hand, baby.

Elsewhere, in a pub somewhere in Norfolk, the Twelfth Doctor is trying unsuccessfully to get Kate Lethbridge-Stewart interested in Risk.

At a private function in the very same venue, John Bercow is realising that he’s missed his true calling all these years.

And somewhere in the void:

I think I’ll just go and eat worms…

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Godel, Escher, Dalek (part 2)

Today: two versions of the same scene.

Those of you who were reading back in October may recall a lengthy post I wrote based around the theory of palindromic Doctor Who. Modelled around a passage in the Hofstadter in which Achilles and the tortoise have a conversation that runs forwards and then backwards and still makes sense, I wondered if you could apply the same idea to certain scenes in our favourite show. The first sequence I discovered that worked was the moment in ‘Utopia’ in which the Doctor and Martha encounter Jack, who’s just fallen off the back of the TARDIS on its journey to the end of the universe. Running it backwards almost worked, and added some tonal ambiguity to an otherwise dull scene.

You’ll notice in the comments that a user calling themselves Emfour suggested a follow-up:

DALEK: Identify yourself!

CYBERMAN: You will identify first.

DALEK: State your identity!

CYBERMAN: You will identify first.

DALEK: Identify!

This, of course, comes from ‘Doomsday’, specifically the scene in which the Daleks and Cybermen meet first time and we discover that a conversation between them is about as interesting as being in a Yahoo! chat room (and I spent quite a lot of time in Yahoo! chat rooms before I was married, so I know whereof I speak). It’s a tedious scene, but it was a dream to edit because neither side moves their lips. This meant that synching up the unscored audio with the onscreen action was one of the easiest things I’ve ever had to do.

So I did it twice.

In for a penny, in for a pound, right? While the Cybermen and Daleks are playing a metaphorical Pong match, the Doctor and Jackie are panicking. There are a great many quick exchanges and quite a lot of repetition, but it sort of works.


And because I’m nice like that, here’s a transcript. For the sake of simplicity, all location references are removed, and all Daleks are amalgamated into one.

DALEK: Identify yourselves.

CYBERMAN: You will identify first.

DALEK: State your identity.

CYBERMAN: You will identify first.

DALEK: Identify!

MICKEY: It’s like Stephen Hawking meets the Speaking Clock.

CYBERMAN: That answer is (??) and illogical. You will modify.

DALEK: Daleks do not take orders.

CYBERMAN: You have identified as Daleks.

DALEK: Outline resembles the inferior species known as Cybermen.

JACKIE: Rose said about the Daleks. She was terrified of them. What have they done to her, Doctor? Is she dead?

DOCTOR: Phone.

JACKIE: What?

DOCTOR: Phone!

CYBERMAN: We followed in the wake of your sphere.

DALEK: Long range scans confirm the presence of crude cybernetic constructs on worldwide scale.

DOCTOR: She’s answered. She’s alive. Why haven’t they killed her?

JACKIE: Well, don’t complain!

DOCTOR: They must need her for something.

DALEK: We must protect the Genesis Ark.

DOCTOR: The Genesis Ark?

CYBERMAN: Our species are similar, though your design is inelegant.

DALEK: Daleks have no concept of elegance.

CYBERMAN: This is obvious. But consider, our technologies are compatible. Cybermen plus Daleks. Together, we could upgrade the Universe.

DALEK: You propose an alliance?

CYBERMAN: Together, we could upgrade the Universe. Cybermen plus Daleks. This is obvious. But consider, our technologies are compatible.

DALEK: Daleks have no concept of elegance.

CYBERMAN: Our species are similar, though your design is inelegant.

DOCTOR: The Genesis Ark?

DALEK: We must protect the Genesis Ark.

DOCTOR: They must need her for something.

JACKIE: Well, don’t complain!

DOCTOR: She’s answered. She’s alive. Why haven’t they killed her?

DALEK: Long range scans confirm the presence of crude cybernetic constructs on worldwide scale.

DOCTOR: Phone.

JACKIE: What?

DOCTOR: Phone!

JACKIE: Rose said about the Daleks. She was terrified of them. What have they done to her, Doctor? Is she dead?

DALEK: Outline resembles the inferior species known as Cybermen.

CYBERMAN: You have identified as Daleks.

DALEK: Daleks do not take orders.

CYBERMAN: You will modify.

MICKEY: It’s like Stephen Hawking meets the Speaking Clock.

DALEK: Identify!

CYBERMAN: You will identify first.

DALEK: State your identity.

CYBERMAN: You will identify first.

DALEK: Identify yourselves.

But we don’t need to bother with all this, because it works just as well – better, even – if you take the first few lines of dialogue and loop them, ad nauseum.

I have a feeling that a better solution to the problem would have been to implement some sort of temporal loop so that both parties had to relive the conversation in this way until they rusted into oblivion. Countless deaths could have been prevented, and we’d have been spared that excruciating scene on the beach. Why am I not working for the BBC? For that matter, why isn’t Emfour?

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