Posts Tagged With: david tennant

Have I Got Whos For You (We Sure Picked A Creepy Night For A Drive Edition)

Boring Doctor Who episodes, #47.

It’s Scooby Doo’s birthday. The cowardly canine is a whole half-century (that’s an oxymoron, surely?): five decades of running up along corridors avoiding the portraits with living eyes and hiding behind lampshades and suits of armour, before discovering the larder and constructing geometrically implausible sandwiches. I just finished playing a mobile game called Agent A – one of those episodic adventure / puzzle type things that was actually quite good – and you spend five chapters exploring the villainess’s lair and its surroundings and NOT ONCE DO YOU ENCOUNTER ANYTHING THAT MIGHT REASONABLY PASS FOR A KITCHEN. I mean honestly. I know the woman is stick thin, but surely she must down the odd protein shake? Sushi? Bit of salad?

Perhaps it’s all fine dining and drive-throughs. You’d think it would show on her figure, except Shaggy manages to eat the monthly food allowance for a small Peruvian mountain village and still fit into size 32 trousers, so I guess these things don’t have to make sense.

“IT’S, LIKE, BIGGER ON THE INSIDE!”

In the news this week: rumblings in Scottish lakes, or lack thereof.

The Loch Ness Monster is rather like a no-deal Brexit. Everyone has their own idea of what it’ll be like, we’re all probably wrong, views from experts are being largely ignored in favour of populist trash and there’s considerable doubt as to whether the thing will ever actually surface, and so at the moment it’s mostly a marketing opportunity.

It was also Roald Dahl’s birthday yesterday, which led to the usual moaning on Twitter about how he was problematic, owing to some unsanctionable views on the Holocaust, some rather unfortunate stereotyping in Charlie and the Great Glass Elevator and the fact that when it came to family the guy was a bit of a nob. It’s ironic when you consider that Danny The Champion of the World contains one of the most beautifully rendered portraits of fatherhood I’ve ever encountered. David Walliams, on the other hand, is being touted as ‘the new Roald Dahl’, despite being a much nicer person (at least ostensibly) who possesses only a small portion of Dahl’s talent; I do enjoy The Boy In The Dress but is this really the pinnacle of contemporary children’s writing? Or can we do better? Because I can’t help feeling we can.

Anyway, I’m not getting into whether or not you’re allowed to read Dahl’s books or even celebrate his existence on the grounds of his personal life and political allegiance; if you’ve been around here long enough you’ll know my views on the matter, so I will leave it to grumpy Spectator columnists and millennial hacks writing for trashy, overly Woke online publications to have that particular argument. Instead, you can have a deleted scene from 2005.

And poor little Charlie Bucket was never seen again.

Oh, while we’re on mashups (I can’t believe I actually wrote that; mashups is all we ever do around here), perhaps now’s a good time to put that irritating Reddit meme to bed, albeit with a different image than the one that’s currently doing the rounds.

I leave you with the news that Fireman Sam has been dumped. No, not by Penny (with whom, I suspect, he’s been having a long-standing relationship, complete with fumblings behind the lockers during the evening shift and all sorts of innuendo about hoses and poles), but by Lincolnshire Fire and Rescue Service, who deem him inappropriately male for their contemporary inclusive image. I suspect that as the epitome of white male privilege (yes, I had a bit of racist abuse at school for my Hebrew ancestry, but nothing to write home about) I should have no views on this whatsover, and thus will refrain from stating one.

Anyway, Sam needs to find a new gig, so accordingly:

“It’s all right, don’t panic! I’m ‘ere!”

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Have I Got Whos For You (non-existent general election edition)

I’ll just leave this here.

I think you’d be hard-pressed to find someone who didn’t have a more ostensibly disastrous week than this man. I have yet to meet a single person – even a Conservative – who actually thinks he’s the right person for the job. Clearly there must be a few of them, and they’re presumably all camped somewhere outside my echo chamber, completely ignoring its existence, but I’ve never known a Prime Minister who’s united the nation like this. Not since Thatcher, anyway, in her last years, when she was one of the most hated women in Britain, besides Mary Whitehouse. These days people are quick to sing her praises; either they have short memories or they were never around for the Poll Tax riots.

Anyway, the day after he lost in the Commons (on something or other; there were so many votes and I lose track) Boris went out on the campaign trail, only to be met with a sea of protesters telling him that he wasn’t really welcome. Or as Capaldi’s Doctor might have put it, “Please leave my planet.”

Let’s drift away from the politcs. Over at Hogwarts, Argus Filch reacted badly to the news that Dumbledore’s giving him a little extra help this year.

And in consumer affairs, there’s trouble in the TARDIS when the Eleventh Doctor does a little online shopping.

Coming right up to date, our fly-on-the-wall entertainment correspondent was on a bus and one thing sort of led to another and…

(Needless to say, I had to lock the comments on this one.)

Sports now, and in a national park somewhere in the North, on a beautiful afternoon in late summer, crowds gather to watch the annual DC / Time Lord Sidekick Carry-off.

And as the long evening draws to a close, it’s an opportune moment for the hardworking British man to kick back and relax after a blood, sweat and tears of a good day’s honest work.

“Shall we go?”
“We can’t.”
“Why not?”
“We’re waiting for Dodo.”
“Ah.”

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Papa Louie Pals Presents: The Doctors

I’m the odd one out in our house. I seem to be the only one of the six of us – and yes, that includes Edward – who’s never played a Papa Louie game.

“That makes two of us,” I can hear many of you say, and who can blame you? For the Papa games – which began life as a Flash-based platform game that spawned a wealth of culinary spin-offs – are fun and popular, but they’re not exactly mainstream. It’s the sort of private joke that takes too long to explain: this notion of working your way through hundreds of customers who want hot dogs and sandwiches and pizza and…well, you name it, they’ve covered it. Papa’s Wingeria does chicken. Papa’s Freezeria deals with all things ice cream. Papa’s Donuteria does – look, I’m not going to read out the whole thing. Suffice it to say Flipline have done well out of this little franchise, although my own idea for a spin-off – a toilet maintenance game entitled Papa’s Diarrhea – has thus far been met with nothing but a resounding silence.

But I never got into it. I just didn’t have the time; there were too many other games to be playing. I was content to sit, lounged in bed or next to Emily on the sofa, while the tinkly music tinkled and my better half tried to get an even spread of tomato paste and cursed when I jogged the bed and made her drop her pancake. We got used to throwing our arms up in the air with a broad grin when evening meals arrived on the table. If you have played any of the games you will appreciate this. If you have not, I’m not about to explain it to you. Perhaps you had to be there, or at least be in the immediate vicinity of someone who was – a role I was (it seemed) more than content to play.

Still. Then they made Papa Louie Pals, which is the subject of today’s post. Papa Louie Pals enables you to create more or less anyone you like, from a series of pre-defined style templates, faces and skin tones and outfit variations. The basic humanoid shape is the same for everyone – with minimal adjustments to things like girth and neck length – but all that aside there’s a considerable amount of customisation potential, even more so if you’re prepared to pay for additional content (I’m not; the new stuff is largely cosmetic).

And of course, I’ve made an entire set of Doctors.

Actually, I didn’t stop at the Doctors. I did the companions as well. But that’s content overload so we will deal with them another time. Today, you can have fourteen incarnations of the Doctor, in no particular order, randomly paired according to the way the screen grabbing worked, which led to some interesting if not unpleasant juxtapositions. Some of them are better than others. But I did painstakingly adjust the height of each incarnation so it was more or less accurate. Colour me proud, Jack. Colour me proud.

 

First up: the War Doctor and the Thirteenth Doctor. I don’t think her shoes are quite right, but I’m quite pleased with the hair. (Look very closely and you’ll see a bum bag poking out from beneath her coat.)

We’ll have the two Bakers next. There’s no option for multi-coloured scarves, so I’ve gone for his Season 18 look, which is reasonably good, although he really ought to be a little more grumpy. The same colours problem occurred when constructing the Sixth Doctor, and what’s presented here is about as close as I could manage. There’s a little too much red, but you get the idea.

I’m not very happy with the Eighth; his hair is completely wrong but there really was nothing else that fit. There’s probably the capacity for creating his ‘Night of the Doctor’ look, of course – but then you’re basically in War Doctor territory, so a distorted 1996 take will have to suffice. Next to him is McCoy; the jumper is off kilter but the hat, at least, is quite good.

These two came out quite well, really, largely because of Troughton’s eyes, grin and trousers. The Eleventh Doctor is halfway through the events of ‘Flesh and Stone’.

The Twelfth Doctor is a tricky one to do because there are three of him, depending on which series you’re watching: of all the contemporary incarnations he’s been the one who’s arguably changed the most. Next to him is Pertwee, who has the wrong hair, although it’s the best I could come up with.

The old man and the Time Lord who lived too long. Tennant was about the easiest one to do, although I do think those trousers ought to be a little darker (and the stripes are a bit, I dunno, deckchair). Still, his hair, like the werewolf Warren Zevon saw at Trader Vic’s, is perfect.

I nearly skipped Nine, just to see how people would react, but he was such an easy one I didn’t quite have it in me. Davison – with a hat that’s a little flatter than I’d like – rounds off the set. Shame there’s no celery.

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Five Doctor Who episodes to help you deal with grief

I’m writing this four days after my mother died.

It was one of those sudden, unexpected things: a phone call at five in the afternoon, the rain hammering on the roof of the folding camper as we laughed and giggled about nothing, and then the sudden, life-changing moment when you’re told the news, and then the denial (“No. No, no. You’re wrong“) and then…look. To be honest it’s a blur. But somehow things got done. And there was the inevitable back-and-forth between close family members and then we cancelled our day-old holiday and came back to deal with it. She had a heart attack despite having no history of heart trouble and that means a post mortem and a certain amount of limbo while you wait for the phone to ring.

It is a funny state of affairs. There is grieving without grieving. I think that, even after all this time, I am still in shock; a particularly lucid nightmare from which there is no chance to wake. You go onto autopilot: things happen because they must, and because the day needs to be traversed like some desolate, inexplicably familiar commute even though the circumstances are bizarre and frightening. It occurs to me that I have yet to cry about all this, and for once in my life the sense of overriding guilt that is my default emotional state is suddenly and notably absent, simply because I am keeping it at bay for fear that it would just about finish me off.

So I am currently fractured, and not in a good place, and when I’m not in a good place I tend to fall back on something creative. It’s that, or sit there and brood. For example, I have just rendered every single canonical Doctor in cartoon form using the Flipline Papa Louie Pals app; one of those random things you do when you’re waiting for the coffee to reach drinking temperature. I will post them here eventually, when I’ve sorted out the height variance. It seems almost frivolous, but it’s a way of getting through the day. No, it’s more than that: creativity is (and I dearly wish it weren’t) an outlet that is all too often fuelled by melancholy, where bad things lead to good things. In the (sometimes metaphorical) studio of every artist there is – or ought to be – a plaque reading “YOU DON’T HAVE TO BE MISERABLE TO WORK HERE, BUT IT HELPS”.

Or perhaps it’s just a way of shutting out the noise. And it is a noise, this confusing maelstrom of mixed moods, of memories both bad and joyful and sometimes both, of things said and unsaid and this realisation that there is no such thing as a positive or negative emotion, there is only an emotion, and that it is possible to feel both good and bad. “The sun rose steadily over Hogwarts,” writes Rowling at the end of The Deathly Hallows, “and the Great Hall blazed with life and light. Harry was an indispensible part of the mingled outpourings of jubilation and mourning, of grief and celebration.” How wondrous it might have been if we had actually seen that at the end of the film, instead of the mute and oddly soulless calm that David Yates and Warner opted to provide.

But Doctor Who can be like that. At its best (and that is a heady height that is reached all too rarely, it seems) it provides both the opportunity to celebrate life and also to mark its end, as characters die and are appropriately mourned, and death is the next stage on a journey, or a sacrifice worth making, or perhaps as simple as going to bed at the end of a very long day. This list is not exhaustive; nor is it definitive. Certain ‘obvious’ stories (Father’s Day) are missing; other choices will possibly strike you as odd. That’s fine. These are, for one reason or another, the episodes that have helped me, curiously not by revisiting them (I simply haven’t had the time) but purely in terms of remembering key themes and moments and dialogue from years of watching and dissecting and writing about them. And this week, doing that has comforted me. And if anyone is feeling what I’ve been feeling, and can in turn draw any comfort from anything I’ve written, either here or below, then my work is surely not fruitless, nor meaningless.

And I miss my mum.

 

Twice Upon A Time

What would you do, muses Steven Moffat in this Christmas special, if you had the chance to say goodbye again? If the dead were somehow stored as permanent memories, magically rendered flesh through the conduit of a glass avatar? What would you say to them – if, indeed, you could be sure it was them? And how would you know? That’s the mystery that the Doctor endeavours to solve, with the help of a long-vanquished former self, a dead woman and a melancholy army captain whose time is apparently up. There are gags about French restaurants and there is a Dalek, but it’s that idea of loss and survival that lingers long after the smoke from the death ray has dissipated into the air. The notion that we might somehow be able to talk to the deceased – or, more specifically, that they might talk to us – is one that is embossed throughout ‘Twice Upon A Time’, holding it together like the stitching on David Bradley’s hat. The avatar on the battlefield is both Bill Potts and not Bill Potts; both Clara Oswald and not Clara Oswald, both Nardole and…well, you get the idea. In the end, it is the memories of others that make us who we are, and that as long as there is breath in our bodies, they never truly leave us.

 

The Woman Who Fell To Earth

Series 11 opens with the news of a death, only we don’t know that. Jodie Whittaker’s inauguration begins and more or less ends with a YouTube video, uploaded by a tearful young man mourning the loss of his grandmother. It is a grief that will eventually unite him with her second husband – a man who himself carries the weight of loss in his cancer-stricken body: a man with a broken heart living on borrowed time. And yet this is not in itself a bad thing. “I carry them with me,” says the Doctor, when asked how she copes with those she herself has lost. “What they would have thought and said and done. I make them a part of who I am.” It is a sentiment that will eventually save Graham, when faced (much later on) with the ghost of the woman he knew, and who is able to tell her apart from the real thing by remembering how she would have reacted. Still, it is always the Doctor who survives, and sometimes that hurts. And as good as it was, there was a sting to this particular tale when we re-examined its title: this notion that there were two women, both of whom had fallen to Earth, and that only one of them managed to get back on her feet.

 

Heaven Sent

Shaken and broken from the apparent death of his companion, Peter Capaldi’s Doctor is marooned inside a watch that looks like a castle, chased by a ghost that wouldn’t look out of place on Scooby Doo, and spends four billion years punching through a wall. On paper it sounds almost ridiculous. In practice it is a stunning, almost groundbreaking entry in the Who logbook, a Groundhog Day of endless grief. But it is the mood of this one that strikes you: a sombre, semi-lit world of browns and greys and dark reds, where corridors shift and paintings decay and one is both always alone and never alone. Clara is both the Doctor’s muse and the object of his grief, manifest in a cacophony of half-glimpses, viewed from behind as she scratches with chalk before vanishing once more into the shadows – the decision to eventually show her one of the few narrative missteps in an otherwise impeccable production. “It’s funny,” muses the Doctor, halfway through this story, drumming his fingers on the arm of a chair. “The day you lose someone isn’t the worst. At least you’ve got something to do. It’s all the days they stay dead.” The following week (and presumably requiring something else to do) he would bust Clara from the trap street and she would run off with Maisie Williams in a stolen TARDIS, but we’re not going to discuss that one.

 

The Rings of Akhaten

Poor Neil Cross went through the wringer with this, and it really isn’t fair. Yes, it is overly sentimental and frequently ridiculous. Yes, the the final conceit (in which, during what is a bizarre twist on The Very Hungry Caterpillar, Clara destroys the monster by feeding it a leaf) really doesn’t work. Yes, the singing is a bit much. On the other hand you would be hard-pressed to find an episode of Doctor Who that matches this one in terms of ambition, grandeur and sheer unbridled joy: a rejuvenated Doctor, fresh off his leash, a companion dazzled by the wonders of the universe, a beautifully rendered interstellar market and a dozen good ideas that never quite bear fruit. The Doctor’s graveside stalking of Clara is uncomfortable to watch – it’s rather like reading your girlfriend’s diary – but the whole pre-title sequence is a beautiful and ultimately heart-rending vignette that shows us how someone might be defined by the people close to them. ‘Akhaten’ is about letting go of the things we love, but it treads this path with that sense of bittersweet sadness and joy I was talking about; the one that pervades the closing moments of Harry Potter. And this in the episode where Matt Smith has a wand duel.

 

Blink

Viewed from one perspective, ‘Blink’ is a story about bootstraps and puzzles and the frightening things that lurk in old houses. That’s usually how I approach it, and I wouldn’t blame you for doing the same. But it’s so much more than that: it is, at its core, a story about loss, as Sally Sparrow – the undisputed queen of Companions That Never Were – has her heart broken twice, once by an old acquaintance and once by a new one. This would count for nothing if the script were mawkish and sentimental, but it is neither: ‘Blink’ is one of those stories that works just as well when it is being sad as when it is being frightening, and the death of Billy Shipton (announcing, with a poetic abstractness that would eventually outstay its welcome, that he would live “until the rain stops”) is among the most poignant scenes that Moffat has ever committed to paper. And it’s here, in these moments of downtime when the statues are off camera and the score is quiet and understated, that the paradox of the Weeping Angels is revealed: that the tragedy that trails in their wake is visited not upon those who are taken but on those that are left behind. The Doctor calls this potential energy; at the risk of sounding tremendously cloying, we might just as easily call it love.

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Have I Got Whos For You (Jodie Whittaker Special)

Today’s post is all about the haters. Yes, you. You there, at the back. The people who leave angry emojis on everything Thirteenth Doctor related – not because it’s not funny or because it’s obnoxious or overly cute; just because it’s her. I’ve seen you. You never comment, and you never explain yourself when you’re critiqued. It’s clearly a hang-up about Whittaker (I will accept, at a push, that some of it may be about Chibnall) because this sort of reaction doesn’t appear on any other post. Why do you do it? What’s the point? And don’t give me that bollocks about how you’re repressed, about how criticism of Whittaker has accusations of “SEXIST!” flung in your direction so you have no choice but to hide behind emojis, afraid to say what you think because of the online censors. This isn’t fucking North Korea. Man up.

In any case, here’s a bunch of Whittaker-themed stuff that I’d been stockpiling for an occasion like this. Enjoy it. Except you there, at the back. I know you won’t. Well, you can’t win ’em all.

First and foremost, here’s Jodie Whittaker celebrating Yorkshire Day.

Meet Jodie Whittaker, the other Fifth Beatle.

The Doctor and the Brigadier explore a nice part of the forest.

Memories of chips.

The princess and the frog.

Who wore it best?

Time Lord parents’s evenings.

Luke Skywalker’s lightsaber training isn’t going too well, until the Doctor comes up with a new strategy.

Exploring the corridors of the Tsuranga, the Doctor and her companions stumble upon the worst horror of all.

I think this one more or less speaks for itself.

“Oh great; we’ve got a squatter.”

A YouTube stunt goes horribly wrong over at the Kerblam! warehouse.

And finally, parked up in a forest, the Doctor has an unexpected visitor.

“Never heard of him. But I’m going that way; I can drop you…”

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Have I Got Whos For You (Party Politics edition)

And introducing David Mellor as the Doctor.

(It’s fine, really. I’ve never liked him much but I maintain a chap has a right to have his hair however he wants. Still, it’s such an obvious joke…)

We have a couple of fan-baiting posts in the works over at Brian of Morbius, but I’m about to go on holiday and I’d very much like to be around to deal with the fallout when they land on social media, so that’ll have to wait. Instead, here’s a fresh selection – some hot off the press, some slightly older material I hadn’t yet got around to posting – and much of it of a political bent. You’ve been warned.

“Define ‘political’,” I hear you ask, when I’ve prodded you in the ribs and asked you to read it off the cue card. Well –

“What’s Trump doing there?” someone asked, whereupon I had to explain that no, this wasn’t Trump. “What are you talking about?” was the reply. “Of course it is.” And I suppose in a way she’s right, although not on purpose.

Speaking of Trump, he’s finally got that wall finished.

“Henry may be sad. Of course he’s sad. It’s what he deserves. Engines who don’t pull their weight get punished. No doubt the FAKE NEWS MEDIA will spew out their usual garbage about unions. Why don’t they go back to the cesspools they came from?”

Of course, if you really want something Who-related.

Talk to the hand, baby.

Elsewhere, in a pub somewhere in Norfolk, the Twelfth Doctor is trying unsuccessfully to get Kate Lethbridge-Stewart interested in Risk.

At a private function in the very same venue, John Bercow is realising that he’s missed his true calling all these years.

And somewhere in the void:

I think I’ll just go and eat worms…

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Have I Got Whos For You (half rice, half chips edition)

In the news this week: there is general panic in supermarkets up and down the country as Donna and Martha struggle to keep the Tenth Doctor away from the ice cream.

An alternative, previously unseen angle from the Apollo 11 moon launch fifty years ago throws up a disturbing sight.

And the full, unseen edition of the poster for Patrick Stewart’s new Star Trek vehicle shows exactly what Picard was staring at off to the right.

Elsewhere, the Thirteenth Doctor’s pleased when her Amazon order shows up.

And a deleted exchange from ‘The Sound of Drums’ proves to be oddly prophetic for Boris Johnson.

Talking of Boris, his announcement during last week’s debate that “we must get off the hamster wheel of doom” kind of gave me an idea.

Finally, this week’s recipe, which has no ingredient lists or method, and consists instead of a single instruction from the War Doctor. “Great men are forged in fire,” he tells us. “It is the privilege of lesser men to light the flame.”

Be good, and if you can’t be good, be careful. And if you can’t manage that, remember the date.

 

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Have I Got Whos For You (Disney special)

I seem to have far more doctored images and bad jokes than I generally get round to posting in here. In many ways that’s a good thing – if your content creation ratio outweighs your posting ratio then you usually have a surplus, which is great if there’s a famine round the corner (or in my case, a holiday). But I’m mindful of the fact that there are a number of memes sitting on my hard drive that just haven’t been posted yet. And while it’s good to be in a Seven Years Of Plenty kind of place, I might as well use the downtime between series to catch up a bit.

Today’s batch is – you’ll have seen – all Disney-related, beginning with the news that WALL-E is about to have a very, very bad day.

Elsewhere, the Potts gang are having a lovely time of things, until the Eleventh Doctor drops in.

Here’s a little cutting room floor footage from Aladdin.

Fan theory: a new explanation for the breakdown of Amy and Rory’s marriage.

The Tenth Doctor wonders if this might be a good spot to surreptitiously ditch his new companion.

And the Mulan remake opts to recreate the opening of ‘Day of the Doctor’.

Over in the pridelands, alternate dialogue recorded for The Lion King foreshadows the final words of the Twelfth Doctor.

There are scenes of general dismay when Bill Potts returns home to visit her family.

The cast of Monsters, Inc. watch a video.

“One jump ahead of the Dalek…”

And finally, as news of The Little Mermaid splashes across the internet, the Doctor confesses she’s really not sure about this new aerial.

Poor unfortunate soul.

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Have I Got Whos For You (Apocalypse Now Edition)

Excuse the radio silence these last weeks, but I’ve been away. And busy. And now I’m neither. Which is a blessing, but it comes with the realisation that I’m rather behind. So let’s crack on with this week’s meme roundup, shall we?

First and foremost:

I haven’t seen Good Omens yet. Needless to say the interest of the DW community was piqued when someone (it might have been Gaiman, it might have been Tennant) happened to mention that there were some Doctor Who references in there, which instantly led to people freeze-framing number plates and street corners to try and find them. By far the most hysterical conversation I witnessed was an American who was convinced that they’d seen a red TARDIS, which was in fact a telephone box. It’s a cultural misunderstanding, but you know how these things work: even when it’s been explained to you, you don’t want to back down.

Anyway, I was trawling the web, looking for Easter Eggs, and –

[coughs]

In politics this week, a leaked mock-up shows a rather different set of prospective nominees for the backstabbing skirmish that is the Conservative leadership battle.

(It’s going to be Boris, isn’t it? Dear God, it’s going to be Boris.)

Entertainment now. And as the new face of Worzel Gummidge is unveiled, the old one reveals that he doesn’t like it.

I never read the books, but Mackenzie Crook’s appearance is supposedly based on the idea that Worzel was supposed to have a turnip head, as opposed to looking like Jon Pertwee covered in soil. This is fine, and understandable, but he looks like someone who’s been prematurely aged (see: Beetlejuice, The X-Files and various episodes of Doctor Who) and the plant strands that serve for a beard remind me a little bit of Davy Jones from Pirates of the Caribbean. The problem is that irrespective of faithfulness to the source material, Pertwee’s iconic rendition has all but usurped it. Worzel Gummidge is like The Wizard of Oz: everyone remembers how it looked, rather than how it read.

Elsewhere, in gaming: as Forza Horizon 4 unveils its new Lego-themed expansion, the Doctor has a nagging feeling that he should move the TARDIS.

When I posted this, various people were keen to point out that the TARDIS would be fine, since it had extrapolator shields. To which the obvious response is “Yes, but the car doesn’t!”

 

Finally, it’s been – can you believe it – five years since the death of Rik Mayall, which makes me sad that he was never involved in Doctor Who in some way. He was an extremely talented actor – both in straight and comedic roles – with a tremendous screen presence. He even makes Drop Dead Fred semi-interesting – although you’d have to use him carefully. There is no place for the man in a Dalek story. Bottom was – to all intents and purposes – the Waiting for Godot of sitcoms, so it would have to be something ostensibly mundane, where characters are lulled into a false sense of security and mostly just sit around waiting for things to happen.

“IT’S NOT BLOODY DOING ANYTHING!”

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Have I Got Whos For You (Marvel Edition)

We open with a plummeting coyote.

It’s all academic. To give you some idea of how far behind we are, I haven’t even seen The Winter Soldier yet. I know roughly what happens in each movie – that Ultron probably gets shot into space, that Ragnarok was a hotbed of comedy, and that at the end of Infinity War Thanos wipes out half the universe (along with the identities of at least some of the casualties). I’m sure it’ll all be fixed in Endgame, the way death invariably is in the Marvel universe. We did manage to squeeze in Doctor Strange (verdict: swooshy and fun, although I can’t get used to Cumberbatch with that accent), as well as Deadpool and the first Guardians movie, both of whom were absolutely ridiculous, in a good way. I am Groot? I am Groot.

We’ll get to them – my shelf is full of unwatched Blu-Rays – but they’re so bloody long. Emily is an early-to-bed person as a general principle, and once we’ve got the kids in bed (or at least out of the way) it’s usually gone half past eight and that’s too long even for the likes of Civil War, never mind the three hour magnum opus that wraps everything up. And no, I’m not watching them with the kids. No, not even as a special treat. Seriously, they natter all the way through. It’s incredibly irritating. They can ruin it for themselves; just not for me. Call me fussy, but I’d kind of like to enjoy Civil War without having to explain the plot to everyone because none of them were listening during the exposition.

Most of the memes in here are of the Time Lord variety, but I do occasionally dabble with Marvel; sometimes there’s a Doctor Who connection, usually there isn’t. And given that absolutely everyone is talking about Endgame, with its midnight showings, tightly-concealed plot and the promise that it will make you cry for the entire running time (including the ads) then it really is time I stuck them up here, simply so that they’re on the web. Some (the Spider-Man photo) are very old. Others – the Tree Fu Tom one, which came about after a visit to CBeebies Land last week – turned up in my head quite recently. Excelsior!

 

#1. To begin, Thor runs into trouble (quite literally) out on the Rainbow Bridge.

 

#2. Credit to Jon Oliver (not to be confused with John Oliver) for the text here. I just gave it life.

 

#3. Marvel does…Pinter. This is Spider-Man: The Homecoming.

 

#4. Everyone’s complaining about Disney ruining things, and concordently…

 

#5. Superhero crossovers we’d like to see.

 

#6. That’s an empty bottle. Promise.

 

#7. “It was inevitable.”

 

#8. I have actually done this.

 

#9. And lastly.

Is Capaldi yelling at Tennant, or is Tennant yelling at Capaldi? You decide.

Categories: Have I Got Whos For You | Tags: , , , , , , , , , , , , , , , , , , , , , , , | Leave a comment

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