One good thing about a lockdown: I’ve had a chance to amalagamate all the leftover copy I’d not got round to filing these last few months. Which means we’re in for a busy few weeks here at BoM, as we go through series retrospectives, how-to guides, and even a bit of myth debunking along with all the meme roundups and general idiocy. But we’ve also got a few videos to get through, so let’s rewind to the beginning of the year, when we were all still allowed out.
1. The Name of the Master (January 2020)
Don’t get me wrong. ‘Spyfall Part 2’ was quite fun, but this whole thing really was a bit dom / sub, wasn’t it? Never mind that the relationship between the Master and the Doctor is already tapping a wealth of unresolved sexual tension, long before either of them swapped genders: a scene like the Master’s ‘Kneel before Zodd’ moment took it to the next level, and it really is like handing a silver platter to the fan fiction writers along with a note reading “Go on then, you win”.
It was Pip Madeley who turned this into a Fifty Shades of Gallifrey type thing – he may even have called it that; the Tweet is proving elusive so we may never know. My own version is a good deal less suggestive and not terribly funny, relying as it does on the conceit of the Doctor forgetting (either deliberately or through sheer scattiness; you pick) exactly whom she’s supposed to be addressing. The tricky part was dropping in names that weren’t saturated in background noise (something I’m not particularly adept at removing), which meant several otherwise viable candidates had to be removed. Still, there were enough left, and the end result hangs together. Just.
2. Twice Upon A Time: The Deleted Scene (January 2020)
This seemed like an obvious joke, so I ran with it. It was a crazy week: everyone was busy arguing whether Jo Martin’s Doctor was pre-Hartnell or pre-Pertwee (the consensus: it had to be the latter, because she had a police box and otherwise EVERYTHING HARTNELL DID IS RUINED). Then ‘The Timeless Children’ came out and all hell broke loose, given that it essentially validated just about every tinpot headcanon theory in existence. In the meantime, I’d been making this: having promised the others he’ll be quite some time David Bradley takes a walk into the snow, and then pops back to his TARDIS, only it’s not his TARDIS. Nor is it Capaldi’s. You see where we’re going, don’t you?
3. The Angels Take Manhatten, Rescored (March 2020)
Wrestling. That was it. There was content to show and plot lines to advance (and, one suspects, a series of expensive contracts to fulfil) and so the WWE, in their infinite wisdom, elected to broadcast Wrestlemania 36 within the confines of a studio instead of an arena. There were no queues, no gigantic foam fingers or homemade banners, no jubilant teenagers fired up on coffee and Red Bull giving their predictions. Just a lot of thirty-year-old men, pumped with steroids and rehearsing their lines in a mirror. Yes, I know you could hear the trash talk. I don’t want to hear the trash talk; I just want them to work the crowd. If there’s no crowd, it’s all rather flat.
The fans seemed to know this as well, which is why a Twitter user who goes by the name of SideEye elected to overdub a heartfelt confrontation between Brad Wyatt and John Cena with, of all things, the Laura Palmer theme from Twin Peaks. It was mad, but it worked (and it was, as you’ll see in the article I’ve referenced, not the first time someone had paired professional wrestling with Angelo Badalamenti). There is something about that music that is both emotionally overwrought and just a little bit artificial, which is the entire point of Twin Peaks and one reason why it’s so brilliantly unsettling. And while I concede they’re very different shows, it really ought to work with Doctor Who as well, surely?
It does. If you can time it so that final, climactic change from minor to major happens at the precise moment Amy vanishes, everything else just sort of slots into place. Who knew?